Review: Fujifilm X-E2s

Chris Gampat The Phoblographer Fujifilm XE2s product images (1 of 9)ISO 4001-60 sec at f - 3.5

Years ago, Fujifilm released the X-E2. This year, they announced and released the X-E2s–which is essentially just a couple of changes and updates that have been incorporated into previous cameras. It hosts a 16MP APS-C sensor, autofocus performance boosts from its predecessor, and the new menu style that Fujifilm embraces.

But in many ways, this is a camera that should have come out a while ago.

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Review: Sony a6300

Chris Gampat The Phoblographer Sony a6300 review lead image (1 of 1)ISO 4001-160 sec at f - 2.8

At this point in the camera game, consumers have two really big, badass APS-C sensor cameras that they can get: the Sony a6300 and the Fujifilm X Pro 2. Considering that they’ve got a larger marketshare, the Sony a6300 is bound to outsell the X Pro 2. Backing up that prediction is the improved autofocus on the a6000 (that didn’t really need it as it is), the 4K video recording upgrades, weather sealing, and a few other updates which aren’t truly that large per se.

With an ISO range from 100-51,200 along with other features like the 4D focus system working in conjunction with the 425 phase detection autofocus points and combined with up to 11 fps shooting capabilities, the little camera is the equivalent of the Lord of the Rings’ Gimli. Put it down for a second, and it’ll beg to be shot with.

While the insides are brand new and the overall experience of using the camera is still really the same as it ever was (and that isn’t a bad thing) I argue that it’s time for an ergonomic update.

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Review: Fujifilm X Pro 2

Chris Gampat The Phoblographer Fujifilm X Pro 2 product images review (2 of 12)ISO 4001-30 sec at f - 2.8

I saw the Fujifilm X Pro 2 for the first time last December, and when I did, the camera took my breath away. There’s just something about Fujifilm’s attention to details, ergonomics, and the feel of them in your hands. Their cameras are incredible, and I’m shocked that they don’t have a larger market share. All of that came to an even greater forefront when the Fujifilm X Pro 2 was announced.

The camera, which is now holding joint flagship positions with the company’s X-T1, will appeal to those of who were trained on rangefinders. It’s also come a far way from the X Pro 1: with the addition of weather sealing, boosts in ISO performance, a 24MP APS-C sensor up from 16MP, an ISO dial, etc.

The answer to the question of whether or not you should upgrade is a sure enough yes, but it may not be a camera for everyone.

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Review: Olympus Pen F

Chris Gampat The Phoblographer Olympus  (3 of 4)ISO 2001-20 sec at f - 2.8

If you were to make me pick between Fujifilm and Olympus, I’d probably go with Fujifilm–but the Olympus Pen F is the one camera that has so far completely caught my heart this year. Ergonomically speaking and from a design aspect, it is the absolute most beautiful digital camera that anyone has ever created to this point–trumping even what Leica can do.

It’s a first for the camera company in many ways. The Olympus Pen F the first camera positioned strictly at the high end enthusiast, the first camera with a megapixel count of more than 16MP on the sensor, the first digital Pen camera with a built-in viewfinder, and in some ways it’s the first digital Pen camera to make you sit there and say, “Uhhh, what?”

The cause of this confusion is the price point. It’s fairly high; though a good argument can be made for it being fair.

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Review: Fujifilm X70

Chris Gampat The Phoblographer Fujifilm X70 review sample product image (1 of 1)

The Fujifilm X70 shouldn’t really be billed as a point and shoot; but instead as a fixed lens camera. It’s rather serious in its design and its capabilities. Embracing the retro aesthetics of the Fujifilm X series cameras, you’ll also note that the ergonomics make perfect sense for the street photographer or even for the person that prefers simplicity.

With a 16MP APS-C sensor and a 28mm f2.8 lens in front of it, you’ll really appreciate the image quality. Though the best part is probably just how much of a “carry everywhere” camera this is.

In fact, it may even replace some ILC cameras for you.

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DXOMark: Sony a7s II Doesn’t Bring in Such High Marks

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It’s incredibly rare that Sony ranks not so well on DXO’s ratings, but today the company announced their findings for the Sony a7s II. Overall, the ratings don’t seem so great in comparison to many other cameras out there; though in reality (i.e. not some lab test) the camera performs very well. If you’re looking at lab tests then it seems that even the original Sony A7s delivers better high ISO results.

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DxOMark Tests Show Interesting Olympus OMD E-M10 Mk II Results

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Today, DxOMark released the results of their Olympus OMD E-M10 Mk II evaluation. So what did they think? To be honest, in some ways it’s as expected but in other ways the results are a tad perplexing. Before I go on into an initial analysis, I’m going to preface this with saying that in real life shooting results, none of these numbers with the exception of the high ISO results are really significant enough to effect your work and post-production output.

So what am I talking about?

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Review: Sony A7s Mk II

Chris Gampat The Phoblographer Sony A7s Mk II extra product images (2 of 4)ISO 8001-160 sec at f - 11

With the release of the Sony A7s Mk II around a year after the original, one has to wonder how can Sony make the A7s series any better?

That was the major question going through my head during this entire review process. It’s a specialized camera that serves its target audience really well. The Sony A7s Mk II doesn’t have the resolution of the Sony A7 Mk II or the Sony A7r Mk II, but what it has is the ability to deliver usable images at nuclear high ISO results that end up throwing the laws of exposure right out the window. This is due to the 12.2MP full frame 35mm sized sensor at the heart of the camera. Further, this camera can see better than the human eye in the dark.

With the Sony A7s Mk II, the company decided to add an uncompressed RAW shooting ability new ergonomics to match that of all the other Mk II cameras, new features for video shooters, and improvements to the autofocus that makes it able to autofocus in situations where other cameras simply scratch their heads.

Sure, the Mk II won’t be for everyone: but will it be for you? Do you really need to shoot at ISO levels not even thought of years ago?

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