Review: Fujifilm XF 50-140mm f2.8 (Fujifilm X Mount)

julius motal the phoblographer fujifilm 50-140mm f2.8 product image-6

Fujifilm’s X-system has been lacking a serious mid-to-long range telephoto zoom. The last and only zoom like this that we reviewed was the XF 55-200mm f3.5-4.8, which, given its construction, zoomed externally. It also had a variable aperture, and while it was slightly faster than most comparable zooms, it was still a variable aperture. Now, we have the XF50-140mm f2.8, a dense metal barrel with internal zooming, a big lens hood, and a tripod collar that makes the whole thing look like a spaceship.

With that said, it’s very nice.

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Fujifilm Announces the X100T and a Silver-Graphite X-T1

julius motal the phoblographer x100t_b_front_3p

The X100T

The rumors are true. Today, Fujifilm is introducing the X100T, its new flagship compact camera. But we’re also getting a silver-graphite edition of the X-T1. The X100T supersedes the X100S as the top-of-the-line compact camera with a host of new features at the same price point of $1299.95 in mid-November 2014.

At its heart though, the X100T is mostly the same camera as the X100s with the exception of a new film mode and built in WiFi being the two new standout features. The camera retains the same 16.3MP APS-C sensor that the X100s has along with the same 23mm f2 pancake lens. Photographers will also be happy to know that there is an interval timer on the camera. Otherwise, know that the camera otherwise sports seven Fn buttons, additional stops on the exposure compensation dial, and the ability to adjust the aperture in 1/3 stops.

The flagship X-T1 interchangeable lens camera comes with a new silver-graphite body, an updated EVF and a higher shutter speed of 1/32000 sec at $1,499.95 in late November 2014. There’s also a black weather-sealed 18-135mm f3.5-5.6 lens that will come bundled with the X-T1 for $1,899.95.

Specs and product images after the jump. Continue reading…

Fujifilm Announces 56mm f1.2 R APD and the New 50-140mm f2.8

julius motal the phoblographer XF56mmAPD (1)

That right there is the update to Fujiilm’s venerable 56mm f1.2 lens. This new version has APD affixed to the end of it which stands for apodization. Essentially there is an APD filter in front of the lens element, which helps to sharpen what’s in focus and make bokeh richer. This’ll be a boon for portrait photographers providing that they want to pay the extra money for it and not just do all that work in post-production. It will drop in December for $1499.95.

There’s also the new weather-resistant 50-140mm f2.8 R LM OIS WR. The X-Trans APS-C crop factor gives the lens a 35mm-equivalent field-of-view of 76-213mm. Zooming is internal (which helps with the weather sealing), and the lens can work in temperatures as low as 14 F. It also comes with optical image stabilization, which’ll help in shaky conditions, and the 23 elements in 16 groups help to substantially reduce chromatic aberration. The lens will arrive in December 2014 for $1599.95.

Specs and product images after the jump. Continue reading…

The Fujifilm X-T1 Might Get a Silver Variant

julius motal the phoblographer fujifilm x-t1 silver

That low-res image is a mockup of a silver-graphite variant of the venerable Fujifilm X-T1. According to the folks at Fuji Rumors, a Japanese site leaked the image of the yet-to-be-released option. If anyone finds the all-black X-T1 to be too understated, you can pick one of these up when it transcends the rumor-scape into reality.

There are also some $100-off deals right now on Fuji glass. The 35mm f1.4 is going for $499. The 23mm f1.4 is going for $799. The 14mm is going for $799, too.

We really, really liked the Fujifilm XT1 when we first reviewed it, and since then one of staffers went on to purchase one. Plus we’ve seen that it’s great for things like shooting weddings and lots more. Personally, we think that the camera looks better in black and most folks will go purchase that one anyway. However, silver cameras surely do tend to look nice–as per Fujifilm’s X100s. We hope that it doesn’t come in the shade of silver that we see above and instead maybe something a bit more chrome looking. Additionally, it may mean that some silver lenses may be on the way too.

Why I Chose Fujifilm Over Full-Frame

Chris Gampat The Phoblographer Fujifilm 27mm f2.8 first impressions (14 of 18)ISO 8001-60 sec at f - 2.8

With a few weeks to go before the end of May, when I was due to fly out to Istanbul for a summer internship, I found that I was in the market for a new camera. I’ve been a Sony shooter for the past four years, and since I would be photographing quite a lot for the internship, I wanted to have another camera. If my a580 bit the dust, it would be far too expensive to replace it here in Istanbul, and I couldn’t take that chance. I was caught between an a99 and any of Fujifilm’s offerings. I ultimately went with the X-Pro1.

Here’s why.

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Review: Fujifilm XF 55-200mm f3.5-4.8 R LM OIS (X Mount)

julius motal fujinon 55-200mm f3.5-4.8-1

julius motal fujinon 55-200mm f3.5-4.8-1

In my nascent tenure as a Fujifilm shooter, I’ve worked primarily in the medium to wide focal spectrum, from 55mm at the longest to 10mm at the widest. I’m primarily a street photographer, so I’ll have to find a balcony for anything longer than 50mm. The 55-200mm f3.5-4.8 was a welcome change that proved to be a valuable piece of glass for the time that I had it.With a 35mm-equivalent focal length of 83mm-300mm, this lens was great with portraits and performance. The zooming is, however, external, so it’ll add considerable heft to any X-series camera in your bag.

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Review: Fujifilm 10-24mm f4 R OIS (X Mount)

julius motal fujinon 10-24mm f4-4

julius motal fujinon 10-24mm f4-4

For the past 10 months, I’ve worked with the Fujifilm X-E2 and a rotating series of lenses. For a long time, the 35mm f1.4 was a mainstay, but I’ve worked the 18-55mm f2.8-4, SLR Magic 23mm f1.7, 27mm f2.8 and 55-200mm f3.5-4.8. For the past several weeks, I’ve had the good fortune to also work with the Fujifilm 10-24mm f4, which is a heavy lens for a camera with as small a profile as the X-E2. With a 35mm-equivalent focal length of 15mm-36mm, the 10-24mm occupies a fairly wide focal range with solid results.

As the company’s first wide angle constant aperture zoom lens, we can expect lots of photographers that shoot landscapes and architecture to take advantage of its seven aperture blades and four aspherical elements. The company also incorporated optical image stabilization into the lens–one of the current few in the series.

But at a very steep price, we’re not sure it’s a lens that everyone needs.

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Review: Fujifilm X-T1

julius motal the phoblographer fujifilm xt1 review-1

When my Editor-in-Chief asked if I’d like to review the Fujifilm X-T1, I responded with an emphatic, “YES.” Having worked with the X-E2 for several months and the X-A1 and X20 before that, I’ve become the Fuji lover both on staff and around my friends. The X-T1 has something of a traditional SLR design with the the viewfinder in the middle, as opposed to the left side, and all manner of dials along the top. It’s only slight larger than the X-E2, but it’s far more satisfying to use. While the core elements of the X-T1 are the same as the X-E2, there are several important factors that keep it comfortably above the rest of the crop.

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