I’ve had the Platypod Pro Max in my possession for a really long time now; and my lack of getting this review out doesn’t have to do with laziness or priorities, but instead trying to illustrate how it’s actually useful for many photographers. You see, the Platypod Pro Max is marketed as being able to go where tripods can’t. But at the same time, it doesn’t have a lot of the same advantages of a tripod. You can’t extend its height because it’s a flat plate, but you can indeed place it in a variety of other flat surfaces. So with that said you pretty much just secure a ball head onto this thing, then put your camera on and you’ve got something that you’re ready to work with. But then the question begs why you’d still use it to begin with.
It’s pretty darn clear that film photography is coming back into fashion despite what haters may say. This goes hand in hand with photographers of all types trying to find a way through all the Instagram algorithms. It’s a rough world out there, but there is surely something to be said about producing good quality content consistently along with hashtagging just right and creating an inspirational message for your devoted followers. So if you’re looking to figure out the latest and greatest way to cut through all the fluff on Instagram, just note that it has everything to do with creating quality content. For those of you who suck at content, here are some tips.
All images by Alex Teltevskiy. Used with permission.
Alex Teltevskiy is a photographer whose mind works with a bit of eccentricity. He loves photography and has loved film since starting in it. But then he went digital and fell back in love with film. He experiments with various films, looks and cameras. His passion is driven by a load of things, and like more film photographers should, he understands how to get the looks that suit his creative vision.
All images by Kaamna Patel. Used with permission.
Photographer Kaamna Patel is based in Mumbai–where she returned after working for five years in Paris. “I am interested in themes of identity & globalisation, putting the world and myself under scrutiny, an objectivity facilitated by a lifestyle of constant travel.” she says. “I usually shoot with a Beautyflex 6×6 camera.” Yup, that’s right, she’s an analog photographer. Like many others, Kaamna has fantastic work surely worth being featured here on the website. So here’s her submission.
All images by Troyce Hoffman. Used with permission.
“While Europe has thousands of years worth of ancient cities and temples, America has its great canyons, mountains, forests, and deserts; these are our great wonders,” says northern California based Photographer Troyce Hoffman. “They are the great equalizer in our country; they belong to both rich and poor serving as a vast communal backyard.” Troyce’s images are mostly shot in the public lands of the American West and he has worked to capture images of the American West using Kodak Tri-x for a while now.
All images by Amy O’Boyle. Used with permission.
Photographer Amy O’Boyle is perhaps one of the more unique photographers to have submitted for a feature in our upcoming Analog zine. Amy is a photographer who shoots weddings and portraits for a living and occasionally does fashion. She uses both medium format and 35mm format to create the photos that she does. But on top of that, she’s a fantastic photographer.
Below is her submission.
All images by Jonathan Moore. Used with permission.
“I think I’ve been multi-talented in the arts for a long time and photography just stuck with me.” says photographer Jonathan Moore in an email to the Phoblographer. “I grew up in a few small towns in Tennessee. After high school, I worked odd jobs and toured the southeast playing guitar in a hardcore band.” Art stuck with and evolved with Jon quite a bit: from music into graphic design and then photography. Jon’s photographs draw obvious inspiration from movies and you can see influences from Stranger Things and Lord of the Rings for sure.
“Movies are often over-looked in terms of fine art, but pause anywhere during 2001: A Space Odyssey or There Will Be Blood, and you’ll know what I’m talking about.”
All images by Jeb Inge. Used with permission.
There are a ton of photographers out there who started in film, then went digital, and eventually went back to film: and Jeb Inge is one of those shooters. This year he took the big leap and sold all of his digital equipment. His best work is landscape photography, but Jeb genuinely enjoys the documentation process of finding wonderful things in the world and capturing their essence. Jeb applied to be featured in our analog zine, and his work is wonderful enough to share here.