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EM5

Chris Gampat The Phoblographer Olympus OMD EM10 product photos (3 of 7)ISO 4001-60 sec at f - 4.5

Sony and Olympus entered a gentleman’s agreement years ago to start collaborating in closer ways. With the latest announcement of the Sony A7 Mk II, it’s easy to believe that they have the same stabilization process. For many years now, Olympus has held the honor of having the best in-body image stabilization that we’ve seen. Indeed, whenever I need to shoot in impossibly low light, the camera that I reach for is my OMD EM5 paired with a Voigtlander 17.5mm f0.95 lens to shoot at very slow shutter speeds and with the lens wide open. Due to the depth of field and size of the sensor, shooting at f0.95 gives me the full frame equivalent of f2 in focus.

In a situation like that, technology like this could be very advantageous. But that isn’t a reason to discount what Sony is doing with its new 5 Axis Stabilization.

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OLYMPUS DIGITAL CAMERA

We currently have the Olympus 40-150mm f2.8 PRO lens on a short term loan for review–and so far it’s been making our jaws drop. I’ve been an Olympus shooter for many years; my first DSLR was Olympus. Then I left the system, and came back with Micro Four Thirds. Olympus has always produced stellar glass, but I’d be a complete liar if I said that I wasn’t a bit skeptical about this lens. Then again, I am always very skeptical about zooms because there is just so much that can go wrong during the manufacturing process at each focal length.

At New York Comic Con 2014, I tested it with the Olympus OMD EM5, a Westcott 7 foot parabolic umbrella, PocketWizard Plus IIIs and the Adorama Flashpoint Streaklight 180WS. My biggest complaint has to do with the battery life on the OMD draining so far because I was transferring images via the EyeFi Mobi card and giving them to attendees on the floor. But as far as the lens performance goes, I sincerely believe that every single manufacturer should be quivering in fear.

One of the biggest strengths of Micro Four Thirds has always been their lenses, and that is no more true than with this lens. It’s tack sharp, fast to focus, doesn’t miss my subject at all in fair lighting, is super light, well built with an all metal exterior, and delivers images that I’m incredibly proud of.

Our full review is currently in the works, but here are some extra image samples that have been run through Adobe Lightroom with minimal processing. Granted, these aren’t at all my final edits, but instead minor boosts that typically would be done.

Stay tuned for our full review.

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Chris Gampat The Phoblographer Panasonic 42.5mm f1.2 review product images (7 of 7)ISO 2001-500 sec at f - 1.7

Behold: the Panasonic 42.5mm f1.2. Yes, an f1.2 autofocusing lens is here for the Micro Four Thirds system. Customers have ben dreaming about a lens like this for many years and as the system has grown up, so too have its optics offerings.

We’re very much inclined to say that this portrait lens is something that you’ll never want to let go of. In collaboration with Leica, Panasonic has created something that is sharp, delivers great colors with skin tones, and isn’t too heavy.

And if anything is holding you back, it will really only be the price.

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Creating the Photograph is an original series where we interview photographers about a photo that they shot and how it was achieved. The results are some knowledge passed on to you. Want to be featured? Email chrisgampat[at]thephoblographer[dot]com.

When we ran into the work of Chris Aust on 500px, we were intrigued and wanted to venture further into more of his portfolio. Aust is part of the growing number of photographers that are ditching the DSLR and sticking with mirrorless cameras, their creative vision, and lighting knowledge to create the best photos that he can. The 28 year old Ohio based photographer has shot fashion and portraits with a tendency to usually contrast with urban decay.

His Stormy Beach photo and the story behind it is a lesson in blending natural light with flash for all those that really wish to become a better strobist.

Here’s his story.

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Chris Gampat The Phoblographer Olympus 25mm f1.8 review product images (2 of 6)ISO 4001-60 sec at f - 2.2

When Olympus first told us about their 25mm f1.8 lens, we were thrilled that they finally created one. For many years, the scene has been dominated by the Panasonic 25mm f1.4 which is a good lens in its own right, but isn’t the affordable option for many. But just because this lens is affordable doesn’t mean that it doesn’t deliver.

In fact, it made our jaws drop.

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Olympus EM5 and 25mm f1.8 the phoblographer chris gampat

When Olympus first let us see their prototype of the 25mm f1.8, we weren’t allowed to take photos with the lens attached to a camera. But now we’ve got a review unit. And for the past couple of days we’ve been playing with the more affordable offering to Panasonic’s 25mm f1.4 lens. Olympus stated that this lens is just like their 45mm f1.8 in terms of sharpness and performance.

It’s been snowing here in NYC, and despite the fact that this lens isn’t weather sealed it is still performing quite well on the OMD EM5 in the inclement conditions that we’re currently experiencing.

Here are a couple of first sample images from the lens. Full review is still being worked on.

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