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Do you suffer from DSL-Arm? We’re positive that photojournalists and wedding photographers surely do. To parody how heavy DSLR cameras are, Olympus has created a whole series of new videos mockumenting a syndrome known as DSL-arm: the sad lengthening of one arm over the other as a result of holding a DSLR for too long.

Olympus’s solution is the new OMD EM5 Mk II: which offers the same image quality and power of a DSLR in a smaller form factor. While in terms of features, it can easily outdo a DSLR, the image quality we’re not 100% sure about since APS-C and full frame sensors can outdo a Four Thirds sensor but not by leaps and bounds.

If you’re looking for a laugh this morning, then hit the jump.

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Chris Gampat The Phoblographer DSLR Maintenance (5 of 5)ISO 2001-160 sec at f - 5.6

Lots of sites and folks have talked about the death of DSLRs, and to be honest it probably isn’t too far away until we as photographers experience a whole new revolution. First there was the advent of 35mm film, then color, then digital, and now it’s been proven that mirrorless cameras are quite capable of doing pretty much the same things that DSLRs can.

Tracking focus for sports? Check out the Olympus OMD EM5 MK II. Film-like look? Go to Fujifilm. All the connectivity you could want? Check out Samsung. Full frame? Sony has got it made here. Something more consumer oriented? Nikon’s 1 series pretty much has the market cornered.

Yes, folks like the “pro look” of a DSLR. But the initial complaints about mirrorless cameras are mostly gone. Shutter lag in the viewfinder? Not anymore. Lens selection that’s lacking? Nope. Systems have caught up, and what you can’t get first party, you can get from a third party.

We’d love to read your comments below and we’d also love it if you voted in the poll below.

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Chris Gampat The Phoblographer Langly Alpha Pro Camera Bag review photos (2 of 9)ISO 4001-1700 sec at f - 1.4

“Hold up guys, I need to change my lenses.”

Rewind to 2007 when I was still in college and my photojournalism teacher and mentor taught me to never be this guy. Fast forward to 2008 during my first internship at PC Mag (then PC Magazine) and the journalists that I interned under would say the same thing. Why? Well, that guy slows everyone else down in the group.

This is one of the primary reasons why I don’t use backpacks for my photo gear, but when it comes to packing loads and loads of stuff on you in a comfortable yet low profile and fashionable way, it’s very tough to beat the Langly Alpha Pro backpack. Sure, backpacks don’t give you the quick, on the go access that a messenger or tote bag do, but it makes up for it in being able to carry lots of stuff on a daily excursion.

Made of canvas and leather, Langly camera bags join ONA, zKin, Artisan and Artist  and others amongst the lineup of beautiful camera bags designed to also be very functional as a camera bag.

So how does it do? To be honest, Langly may have everyone else beat when it comes to the adventure photographer.

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As new school as a photographer Nigel Barker seems in his photography, it’s still evident that he loves film. Nigel’s favorite camera is the old school Mamiya RB67 Pro II–a camera that we included on our list of some of the best ever made. He calls it a beast of a camera and the one that he loved to work with until digital came around and changed the game. Nigel mostly shoots with Sony DSLRs these days, but he also worked with Mamiya medium format DSLRs when they first came to America and he was on America’s Next Top Model.

Hearing Nigel talk about the camera and his work is much better than our summary though, and the video is after the jump.

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Chris Gampat The Phoblographer Film Photos Kodak Porta Ektar TriX  (19 of 55)

“Hey Chris, we were thinking about buying a DSLR.”

“What? Why? No, oh god, why?!”

When it comes to answering the camera-related questions of people who are soon to have children, this is usually how the conversation starts. When someone wants to buy a brand new camera, it’s for a good reason like the fact that they’re having a new kid. But there are parameters in place: it needs to be simple to use, it needs to have professional image quality, and it can’t be too expensive. Typical, right?

I’m going to let you in on a little secret that many of us photographers have known for a couple of years now: you don’t need an interchangeable lens camera like a DSLR for professional looking images.

No, really, you don’t. What makes the images so great are the combination of the sensor and the lens, but there are fixed lens cameras that can do the same job of many of those cameras in an even more affordable package and smaller. Of course though, there are also a couple of DSLRs and mirrorless cameras that do a great job.

Here are five of our favorite cameras for the new parent.

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NIkon Df GServo-20131231-0016

“DSLRs got big, bloated and fat.” says Kai from DigitalRev in the company’s latest video explaining why you don’t need a DSLR camera. For the most part, it seems like they’re also drinking the mirrorless camera Kool-Aid. Then they go into the technical stuff.

Admittedly, you may want to work with a DSLR because of their bigger versatility and support for using accessories like flashes and lenses–or if you want to work with an optical viewfinder. For what it’s worth though, electronic viewfinders have improved a lot and give you a preview of what you’re going to shoot. Kai also states that DSLRs are loud and uncool. He makes a great point and them not being innovative anymore and reaching their peak.

In fact, most of us use mirrorless cameras.

The video is after the jump.

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