Review: Sigma 135mm f1.8 DG HSM Art (Canon EF)

If you’re a fan of the Sigma 85mm f1.4 Art lens, then you’re bound to fall head over heels for the Sigma 135mm f1.8 DG HSM Art lens. When it comes to portrait lenses, photographers are typically tied to the 85mm and 135mm focal lengths: and so that makes this latest decision even harder. Both are good. In fact, both are fantastic. But with the new Sigma 135mm f1.8 Art lens, you get what seems like a smaller and lighter lens though surely longer. Plus it has weather sealing and a classic quality about it with just a bit less contrast than many of the other Sigma Art lenses.

But is it the right portrait lens for you?

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70mm IMAX Film vs 120 Film: What’s the Difference?

When it comes to a lot of photography, 35mm has been the standard for many years. In cinema, Super 35mm has been–and it’s around the size of APS-C digital. But what about larger formats? In photography, we’ve got 120 film and in cinema there’s IMAX. IMAX is considered large format in cinema and arguably it’s really beautiful. IMAX film is rated to be around 70mm in size; visually it’s really 65mm and 5mm are used for audio.

But how does it compare to 120 film?

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Review: Fujifilm Instax SQUARE SQ10 (Instax Square Format)

The Fujifilm Instax SQUARE SQ10 is quite an interesting, if not at times frustrating, camera that packs a whole lot of fun into an oddly shaped body that you’ll either not totally understand or fall head over heels for. The camera is Fujifilm’s latest addition to their Instax lineup of films and cameras serving as an in-between point for Instax Mini and Instax Wide. The Instax lineup of cameras have always been incredibly strong sellers amongst young women (many of my great, personal friends use Instax cameras and film). Part of the great selling point is the small size of the prints which are easy to carry and fun to share. But another part is the “cutesy” form factor. They sell so well in fact, that if you were to consider the sales of Fujifilm Instax vs the the rest of the digital and analog camera industry, Instax film far outsells anything in digital.

While the Fujifilm Instax SQUARE SQ10 isn’t exactly what I personally want, it’s going to be a hit with a lot of folks.

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Which One: Fujifilm X100F or Fujifilm X-Pro2 with Fujifilm 23mm F2?

Looking at specs one couldn’t help but notice that and X-Pro2 feature a lot in common. Both have Fuji’s new 24mp sensor, both are rangefinder inspired, both have hybrid optical and electronic viewfinders, and both have (or can have in the case of the X-Pro2) a 23mm F2 lens. So with all of this in mind one would not be that out of line to wonder which setup is the better option, and today we are here to answer that question.

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Which One? 85mm Lenses for the Full Frame Sony E Mount Compared

If you take a look at all the 85mm lenses available for the Sony full frame E mount, you’ll notice that there surely are a whole lot. Both Zeiss and Sony make some of the most popular offerings, and sorting through the lot of them can be exhausting. Thankfully though, we’ve reviewed all of them and sorted through our information to figure out which one may be best for you.

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Comparing The Most Popular Black and White 400 ISO Films

Screenshot taken from the video.

Some of the biggest questions on the mind of every film photographer has to be how different black and white films perform in a similar setting. So with that in mind, the crew over at Brooklyn Shooters Channel have done a comparison of some of most popular 400 speed Black and white films out there. The films mentioned are Ilford Hp5, Ilford Delta 400, Kodak Tmax 400, Kodak Tri-x 400, and Rollei RPX 400. They’re all shot in medium format; which means that for lots of photographers out there who create vs capture this will be very interesting.

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Review: Leica Sofort (Fujifilm Instax Mini)

If you take one look at the Leica Sofort, you’ll wonder what makes this camera worth over $300 when there is so much resemblance to the Fujifilm Instax Mini 90. Photographers working with the camera will appreciate its fun and cute appearance in addition to its simple interface. Like all Instax film cameras, it has some quirks and this is less a result of the cameras as it is the film itself. You see, Instax film is set to ISO 800–so it’s always going to allow a lot of light to hit the surface.

But like most Instax cameras, you may not be totally happy with the results. I however and completely fine with them.

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Quick Comparison Photo: Kodak Tri-X 400 vs Japan Camera Hunter Street Pan 400

I’ve been playing with more Japan Camera Hunter Street Pan 400 film and shot a scene that I always photograph just to compare what this film and Kodak Tri-X do when rendering a specific scene. Kodak Tri-X has been around for a while and is heavily loved by many photographers out there. But, it’s expensive and many photographers have looked for alternative options out there. One of the newer black and white films to hit the market is Japan Camera Hunter Street Pan 400 film.

So let’s take a quick look at Kodak Tri-X 400 vs Japan Camera Hunter Street Pan 400.

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