Zeiss has always been known for their quality, precision, and craftsmanship since before their rangefinder days. And while going through our Reviews index, we found that we skipped over this one. Sure, it’s been out for a while, but the Zeiss 35mm f2 delivers a look that many will fall in love with. In today’s world of lens technology progressing super fast, does Zeiss really need to update this lens? Or can it still find a home with a niche crowd?
Two of this year’s best point and shoot cameras are the Canon G1X Mk II and the Sony RX100 Mk III. Both cameras share a decorated lineage and both are aimed at the enthusiast that wants a pocket camera with a large sensor.
But just which one is better?
Though DxOMark stated a while back that Nikon’s new 35mm f1.8 G is sharper than its f1.4 brother; we believe that the true test is with the Sigma’s 35mm f1.4 DG–which is the king of the crop in our eyes. And so while reviewing the new Nikon lens, we asked Sigma to loan us one of their lenses in Nikon mount for a head to head comparison.
So who came out on top?
DxOMark is announcing their Sigma 50mm f1.4 Art lens findings today. According to what they did in the lab, the company concludes that the lens is outperformed by the 55mm f1.4 Zeiss Otus lens only in terms of light transmission, distortion control, and vignetting control. Otherwise, they’re basically exactly spot on when it comes to sharpness numbers. The even more fascinating news is that they both wipe the floor with Canon’s f1.2 L offering–and hopefully will dispel the myth that someone should only go for all L glass when building their Canon kit.
The company didn’t test the lens on the Nikon D800E and we figure that this is mostly because the units going around right now are Canon mount.
More findings are after the jump.
Sigma recently updated their 50mm f1.4 lens to include not only the Art branding badge, but also a totally new look to the lens. The new Art offering joins the 35mm f1.4 as another prime for DSLRs under the new Global Vision that the company is touting right now. Many folks own the older Sigma 50mm f1.4, and with the release of the new one you might be wondering if it’s worth an upgrade or not.
In our real world tests, we explore the differences.
Today, DxOMark released new findings and a report on the Sony A6000 announced a little while back. According to their findings, it seems to be outdoing pretty much every other new camera on the market with the exception of the Nikon D5300 and D3300. Sony’s new flagship APS-C E mount camera has a 24.3MP APS-C sensor at its heart. And while many may still say that that is way too many megapixels for a small sensor, the results are surely in.
However, during our briefing with Sony, what they were really pushing was the autofocus–which is super fast and utilizes phase detection.