Compact Cameras, The Future: A Call to the Camera Manufacturers

Since I have been running this site and doing this job I have watched as the prices for compact cameras have steadily increased into the sort of price ranges usually reserved for collectible cameras. I do feel partly responsible for this as the site helped to popularise these cameras and bring them to new audiences.

But this was also inevitable. These cameras are getting expensive not just because they are more popular, but also because there are fewer and fewer or them available now. Even the younger compact cameras (apart from the Fuji Klasse) are over 10 years old now and they are reaching their performance limits. Basically the cameras are dying and there is nobody that can rescue them.

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Review: Canon 28mm f3.5 IS STM (Canon EF-M)

Not many macro lenses have impressed me in the mirrorless camera category, but the Canon 28mm f3.5 ( $299.00 ) is probably an underrated lens that you haven’t heard a whole lot about. However, it’s got a few great features to it that make it very useful in various situations. Besides its compact size, it also has a cool macro light built into it. The light can be controlled using a button on the lens and can be very useful in many situations.

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Review: Panasonic LX100


julius motal the phoblographer panasonic lx100 product image-1

So it was on a cold November day that Editor-in-Chief Chris Gampat would hand me the Panasonic LX100. It had been a while since I reviewed a camera, having been back in New York City for about two months from Istanbul. The LX100 piqued my interest with its design as a premium compact with manual controls. In a past life, I had written micro four-thirds largely because I found the cameras to be too small for my large hands. While the LX100 proved to be impressive in image quality and aesthetic, its diminutive size was a sticking point for me.

The camera is Panasonic’s stab at Fujifilm’s X100 series–and so sports retro handling and looks done in collaboration with Leica. The LX100 has the same sensor as the GX7, and in some ways even has the same styling. But this camera is much different in that at the heart is a Four Thirds sensor and in front of it is a fixed zoom lens with an f1.7 maximum aperture.

And in many ways, it could be a perfect camera for the photojournalist.

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Olympus Announces Two New Compacts: the Rugged TG-3 and the SH-1 Superzoom


Just when we though the era of the point-and-shoot was over, new models come trickling in. And it seems that when Olympus introduced the Stylus 1 a while back, a new era of the point-and-shoot began. This is the era of the specialized point-and-shoot that comes with a clever twist, something that makes each model unique and stand out from the crowd. And above all, that makes it a camera you’d actually consider to buy for a change.

The latest point-and-shoot models from Olympus are the rugged TOUGH TG3 and the superzoom model SH-1, and both are trying to win your heart with unique features. Read on past the break to find out if one of them is for you.

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Review: Sony RX10

julius motal the phoblographer sony rx10-4

In the pantheon of cameras that were, are, and will be, it is rare that a point-and-shoot will turn heads. That’s not to say that there haven’t been any, but so many compromises are made with cheaper cameras that it’s easy to forget about them altogether. Enter the Sony RX10, a point-and-shoot camera with an impressive lens and a DSLR aesthetic in the Cyber-shot line. It’s a bridge camera, and in Sony’s case, the halfway-point between its Cyber-shot and Alpha lines. Consider it a Cyber-alpha, really. Throughout the monthlong review period, I often forgot that I was working with a point-and-shoot, but I never completely forgot.

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Canon is Apparently Pulling Out of the Low End Compact Camera Game

Chris Gampat The Phoblographer Canon Rebel SL1 product photos review (3 of 9)ISO 4001-80 sec at f - 4.5

When the King of the Hill admits defeat, you know the game is over. And according to what both Canon Watch and SlashGear are saying, that’s the case with Canon and the low end point and shoot game. They both cite a Google Translated article stating that Canon is ceasing to focus on cameras under the $200 entry point because of the way that smartphones have affected the sale of compact cameras. Instead, they’re going to be focusing on higher end compacts and their DSLRs. As far as the latter goes, Canon is the #1 seller. Despite being very conservative and trying to make sure that no camera eats into the others’ sales, they’re still not producing bad cameras at all. In fact, no one that is a major manufacturer is.

What this could mean in the future is that CES and other trade shows may be a bit more dead or more focused on higher end products. On top of that, we may not see the major innovations and risks taken by the company that we saw from 2008 on for a while. When the company was first producing the 5D Mk II, announcing the 7D and 1D X, and making the Rebels better than previous generations it was a much more exciting time.

Here’s to looking forward to Photokina 2014.

The New Canon G1 X Mk II May Become Your New Favorite Compact


It’s been a while since Canon released the G1 X camera, and the company is announcing an update in the form of the G1 X Mk II today for CP+. At the heart of the camera is a new 1.5″ 12.8MP CMOS sensor, a DIGIC 6 processor, ISO range of 100-12,800, a new 9 aperture blade f2-f3.9 lens with an equivalent zoom range of 24-120mm, 31 AF points, and a 3 inch tilting LCD. Canon also has a brand new external EVF that mounts into the hot shoe for the camera.

The new G1 X Mk II also boasts WiFi connectivity, NFC, and a $799.99 price tag when it drops in April. For what it’s worth, the Ricoh GR is still cheaper and has an APS-C sized sensor.

More photos of the camera are after the jump.

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