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All images by Jonas Jacobsson. Used with permission.

Photographer Jonas Jacobbson is a 23 year old photographer who hails from Sweden and tells us that he’s been very fortunate to travel. He studies full time and the rest of the time is spent on his photography business. Lots of his work focuses on landscapes.

“There is nothing more satisfying than standing with your feet before a magnificent landscape. And the journey there is often as important as the final destination.” he tells us in his pitch email. Jonas further states that making money will never be his objective, it will always be about being inspired by the world.

We talked to him about his inspirational photos and his mentality of simply going out there and shooting.

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All images by Marius Vieth. Used with permission.

Photographer Marius Vieth has graced our site a couple of times, but one of our favorite projects by the award winning street photographer is called “Under My Umbrella.” It features many candid street photos taken in the rain–a time when the streets are crazier than normal and light shows of all sorts happen.

“Once it’s starts raining, the city turns into a whole different place you’ll never see in bright daylight. All of a sudden everything melts into one amazing mixture of lights, reflections and colors I can’t even describe with words.” says Marius. Indeed, his images reflect events that don’t usually happen when the sun is out. But even more so, he combines interesting color usage with capturing candid moments in the downpour.

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Chris Gampat The Phoblographer TriggerTrap Flash Adapter review black and white (1 of 1)ISO 2003.0 sec at f - 6.4

Let’s say that you’ve got a product, portrait subject, bride and groom, or something else in your photo that you really want to make stand out from the rest of the scene. How would you go about doing this? A shallow depth of field is that many people will say to start, but that’s the most basic of methods. Indeed, there is a specific 3D effect that photographers talk about and there are also lenses with micro-contrast that can help you do this.

Believe it or not though, it all comes down to contrast.

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If you’re shooting photos at a concert or some other venue that gives you odd lighting, one of the first things that some photographers will try to do is fix it. But by messing with the overall color scheme, they end up creating an image that looks like an alternative photo process happened, or film that was processed using the wrong chemicals. That can be a very cool look, but sometimes it’s not the one you want.

Instead, if you want to only work with a specific area, you’ll need to use the white balancing brush in Adobe Lightroom. Here’s a quick tutorial on how I usually do something like this.

PS: Some folks love to embrace the colors that they get at concerts.

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Before we begin this article, we want to explain that any photographer should always prioritize being artistic and having a creative vision above any technical aspect. But the two can work together very well if you have the right ideas. Photographers wanting to become more serious about their photos and photo editing should realize that one of the biggest ways to do this is to learn to read histograms. While you focus on making sure that you get as much as you can in the camera, what you get out of the camera will surely determine your post-production process.

For the beginner, here is our Guide to the Histogram.

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Chris Gampat The Phoblographer Fujifilm 60mm f2.4 review product photos (4 of 8)ISO 4001-50 sec at f - 4.0

“I don’t work for DxOMark. I’m not interested in numbers. I’m interested in what comes out of the camera.”

Continuing the trend of photographers talking about why they switched, Fuji Rumors shared a video from Lukas Gisbert-mora on why he chose to leave Nikon for Fujifilm.

First he talks about the problems first: which have to do with the battery levels and the video capabilities. This is what happens with cameras that have an EVF, but Fujifilm has lacked on the video capabilities for a while. They’re also only starting to pick up speed.

Lukas also admits that Fujifilm’s flash capabilities are nowhere near Nikon’s. In our testing, we have to agree. PocketWizards with a Lumopro LP-180 are much better–but that offers manual capability. If you want TTL usage, there aren’t many good radio trigger options with the exception of Yongnuo–and they’re hit or miss.

So why did he pick Fujifilm?

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