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Heading into a concert? We’ve got good news and bad news for you.

Let’s start with the good news: you’re about to see what will hopefully be an awesome show.

The bad news: the venue may not let your pro-grade camera in. In fact, even as long as it looks pro grade, you’ll need to check it. So for that reason, you’ll need something a bit more low-profile that will fool the guards when they check your bag. The only way to do that is to not have such a serious looking piece of kit on you, but still having something comparable to the cameras that you may use.

Here are a list of cameras that won’t get checked at a concert.

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dylandsara-010

All images by Dylan and Sara. Used with permission

Photography duo Dylan and Sara are part of the most recent trend of wedding photographers embracing the DIY alternative art style to weddings rather than the more traditional approach that many have come to know for years. They are wedding photographers based in Portland, Oregon and are most widely known for their double exposures and landscape portraits. On top of this, they were recently named “Rising Stars of Wedding Photography” by Rangefinder Magazine.

Besides having the right creative vision, having the means and know-how to market it is another key skill to becoming a professional photographer. Luckily, Sara was a marketing major in college. But the duo has worked on a brand that is holistic and very much has a mind of its own.

We talked to Sara Byrne not only about their images but also about how they became successful.

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Metabones Nikon G Mount Lens to Sony E-mount GServo-3643-20140727

Usually when we hear about the brand wars, it’s about Canon vs Nikon. And to that end, we usually hear about why a photographer goes from one brand to the other. But it’s rare that we will hear about a photographer that left one of those two brands for Sony. However, photographer Jason Lanier decided to spent 24 minutes on the subject.

Over and over again, he says that DSLRs are going the way of the dinosaurs and that there are features that Sony does that DSLRs should be doing. Amongst the reasons why he left Nikon are the Sony A7s and the A6000. He cites the speed and high ISO abilities of the cameras amongst just how good the files are as other reasons. Plus he talks about the advantages of an EVF over an OVF and WiFi connectivity with the cameras.

Though we’re big lovers of mirrorless cameras ourselves, we have to admit that the EVF is the reason why mirroless camera battery life sucks. But we’ve got ways to fix that.

Jason’s video on why he switched from Nikon to Sony is after the jump.

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Phoblographer (5)

All images by Jacob Loafman. Used with permission.

The first year is always the toughest both as a business owner and as a photographer. It’s all about understanding yourself as a shooter, making sure that your business is profitable, and adjusting to the landscape. We found photographer Jacob Loafman and upon hearing that he has been shooting for just under a year, we were quite shocked to see the incredible quality of his work and his success–which is seemingly rare amongst many budding professionals.

Jacob attributes his success partially to his tagline: “Let’s create together.” He admits that the business side was incredibly tough, and that his beginnings were still very humble.

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Chris Gampat The Phoblographer Canon 8-15mm product photos (2 of 4)

It’s been a while since we saw something extremely unconventional from Canon, but both Photo Rumors and Canon Rumors are saying that we should be hearing about new L series lenses. According to both sites, we should be hearing about both an 11-24mm f4 L and a 100-400mm f4.5-5.6 L IS USM II lens. The former is an interesting addition seeing as the company already has a very good 8-15m f4 L lens and a 16-35mm f2.8 L offering. An 11-24mm f4 L lens will most likely be targeted at landscape, architecture, and cityscape photographers that need something that wide. To boot, f4 is more than wide enough of an aperture for work like that.

What lots of photographers will be talking about though will be the 100-400mm f4.5-5.6 L IS USM II–which many agencies, news wires and sports shooters will most likely be interested in. We heard about the patent for this lens being submitted before, but the patents filed are in addition to some other very interesting patents. The photo world should be hearing about a new 17-5mm lens along with a 70-400mm lens.

Still though, we’re just going to have to wait and see what Canon comes out with.

 

OLYMPUS DIGITAL CAMERA

When a photographer travels they often want to carry a compact camera that is low profile, has great image quality, is reliable, and that they can tote around to both have fun and be artistic. Despite how much we always talk about DSLRs and mirrorless cameras, they can slow you down so much more when compared to a good point and shoot fixed lens camera. While the typical moniker of a point and shoot camera has always been one that has been looked down on by many of the more bourgeois amongst us, these cameras have indeed become much better over the years. In fact, these compact cameras are so good now that it’s arguable that you don’t need an interchangeable lens camera.

Here are our favorite point and shoots that will make the travelling photographer drool.

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