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canon 7d

And now for some not so Photokina 2012 news: Planet 5D got a scoop on the new Magic Lantern update for the Canon 7D. If you remember, the 7D was given an insane firmware update to make it really viable for videographers (it already was to begin with minus the rolling shutter issues.) According to their team, they started around three years ago. The most amazing thing about it is that the firmware doesn’t need to run on both DIGIC 4 processors.

Mitch has a lot more info on his blog post, but this is some awesome news for videographers that have been getting a little annoyed at Canon for not delivering something better than the 5D Mk III and below the C100’s price: and trust me, there are a lot of them out there. The closest thing they have is the BMCC, but the new Micro Four Thirds mount version may kill the EOS mount version before it really takes off.

When I wrote about my first impressions of the Sony A77 last month, it received an overwhelming response and it became very clear to me that this is a hot camera right now. After spending about a month shooting with it, I can now clearly see why. This is the first Sony camera I have used that I feel properly competes with the likes of Canon and Nikon. Competition drives innovation, and I think a camera like this could be just what the market needs to drive pro-sumer DSLRs even further. But does it live up to the hype?

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Not long ago, we did a quick high ISO test of the Canon 5D Mk II, 7D, and Nikon D5100. We decided to revisit the test and perform another non-scientific comparison. This time though, we rated the high ISO value and the dynamic range of each camera.

So how did they do?

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One of the reasons why I purchased a Nikon D5100 is because of the affordability combined with the amazing image quality that can come from the sensor. Upon editing RAW files that I shot the other night, I looked closely and discovered something interesting: the files aren’t as easy to edit as my Canon DSLR files. When I say edit, I mean balance details with getting rid of extra noise due to the high ISO output. So I decided to look the cameras up on DXO Mark. To my surprise, the scores came out the way they did above. Knowing that the site is sometimes not correct, I decided to do a non-scientific test the cameras out for myself.

Editor’s Note: I know that this is a test of a 1.5x sensor vs 1.6x sensor and full frame sensor, but why not? People ask these questions all the time and you’re probably sitting there wondering the same thing yourself. If anything, this is a test of how far the technology has come.

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It’s no secret, I love small cameras for street photography. The Fuji X100 retaught me how to do it and the Olympus EP3 is perhaps a game changer in nailing the right shot. Before this, though, I used DSLRs: my Canon 7DDigital SLRs)and Canon 5D Mk IIDigital SLRs)to be exact. And when the smaller cameras had been sent back after the review was over, I needed something with better image quality. So I returned to my DSLR. But how exactly do you deal with something so large and so beastly? Here are a couple of tips.

Note: the majority of the images in this story were also shot with the Canon T3i which we found to be very good. Check out our full review and if you’re not sure if the camera is for you, take a look at this posting.

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According to DXoMark, the Fuji X100 has an amazing sensor and it has been rated to be better than the Canon 5D Mk II and the 7D (correction: the 5D Mk II is still rated to be better). With the announcement of the Olympus EP3, I decided to put the camera against the two DSLRs myself. So how does the new internally developed sensor do against the mainstream giants?

Disclaimer: Yes, we know the sensor are different sizes. Yes, we know that you’ll go over to other sites to look for this information anyway. Yes, we are trying to answer the question for you.

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