Adobe has been working to improve Lightroom Mobile in many ways, and today the company announced significant updates for both the iOS and Android versions of the app. Lightroom has always been sort of an interesting thing for photographers. On one hand, you have this powerful photo processor in your phone or on your tablet that can sync with your computer (assuming you use Lightroom). On the other, you have this sort of watered down version of the desktop app you (we are assuming) use on a regular basis. Continue reading…
Maybe it has something to do with the classic and cool vintage design, but this Kodak Instamatic Messenger Bag is one that seems perfect for every collector. The bag’s exterior is covered with the original Kodak Instamatic camera emblazoned all over it. For the uninitiated (or I guess those less woke on camera history) the Instamatic was a pretty automatic camera Kodak produced years ago. It was a hit for so many people because it was small, easy to operate, and used a piece of technology that really pushed photography ahead in a somewhat unexpected way.
All images by Jonathan Higbee. Used with permission.
At a certain point earlier on in his Forbidden City project, Jonathan Higbee started to wonder where the project should go. You see, it’s much different from a lot of the work he typically does. Jonathan is a street photographer and surrealist photographer who does some commissions on the side. His work has always been expressive in some way or another, but nothing quite as deep as what’s being portrayed in Forbidden City. Forbidden City is a project that uses Google Street View to showcase places that he and his husband aren’t allowed to travel.
There are lots of questions involved with the curation of a project like this. And indeed, this is a very curatorial project.
These days it’s not so much of a stretch to say that while you are our traveling or just going about your daily life the camera you have with you is likely the one built into your phone. Additionally, the image quality from these tiny devices is just getting better and better in almost every respect. The limiting factor for a lot of these phones though is they are stuck with a single lens, with your only way of changing your view being an image quality destroying digital zoom. Some newer higher end phones are now coming with two rear cameras, one with a wider lens and one a more telephoto – but even these are extremely limiting compared to what we as photographers are used to with our interchangeable lens cameras.
The solution here is accessory lens systems for your smart phone. These are the very things that many of us scoffed at in the recent past, but as mobile photography has become more popular and with more people wanting to be serious about it – the quality of these add-on lenses as grown significantly. But what should you be thinking about when you are looking to buy these accessory lenses? You know how to consider camera lenses, but phone add-on lenses?
Have no fear – We’ve got you covered.
If you’re reading this, then you’re probably not really an amateur photographer–you’re probably actually a hobbyist. If you’re a professional photographer, than most of your taxable income comes from photography. If you’re a semi-pro photographer, then you make taxable income from your photography. But if you’re an amateur, the proper definition is simply doing something for pure pleasure and not in the pursuit of money. And that’s absolutely correct, but the connotation of it has more to do with your skill level. Many of you reading this have most likely been shooting for years and the majority of you probably make some sort of taxable income off of your photography. So you’ve learned step 1 about this industry: that sometimes it doesn’t have a single thing to do with your skill level.
Mirrorless cameras are not the newfangled technology they used to be. Mirrorless systems from Sony, Fujifilm, Panasonic, and Olympus have had years to build solid systems with various camera and lens options that allow them to be capable of creating stunning images just as well as any DSLR. So you may be considering your first interchangeable lens camera, or maybe you have a DSLR and you are interested in taking advantage of some of the features that mirrorless brings to the table, whatever your reason is you may be asking yourself how to choose between the various options.
In this post, we hope to be able to help you figure out what questions to ask yourself when considering these various cameras and systems. Ideally, this will allow you to pick up a mirrorless camera in a system that will fit your wants and needs as a photographer so that you can take full advantage of it.
“I want to be the fly on the wall.” is the mantra of so many street photographers out there. For the most part, it’s possible these days. All you need to do is find a way to get close to your subject, use the silent shutter, click, and you’ve got your photo. It’s part of the old adage that if your photos aren’t good enough, then you’re not close enough. Many photographers these days tend to use wide angle lenses and go up to the 50mm field of view simply because they feel that it’s important. Gear mongering aside, let’s more address the fact that the point of getting close to a subject is to actually, you know, have some sort of connection with them.
But in most cases, there really isn’t one. So what that mantra becomes is this really, really terribly old idea that in order to get the best street photos you need to be close to your subjects, and you need to use that specific gear. But if Instagram and the iPhone have taught us anything, that’s not true at all.
All images and text by Faraz Azhar. Used with permission.
My name is Faraz Azhar, I’m a travel photographer based in Dubai, UAE. Although I have a fulltime job as a banker, photography is my passion. I cherish black and white photography mostly for architectural photos. I believe that an architect spends endless hours imagining a structure that he is about to build, he draws countless shapes on paper before finalizing his design and he takes care of every little measurement and detail of that building; whether it’s a cornerstone or a pillar or any piece of metal or concrete. Capturing these fine details is an art. Taking photos of architecture in color makes it overwhelming and makes the viewer lose focus of what’s important in the scene…the fine architectural detail.