Sony Announces New Point and Shoots with Lots of Megapickels
This evening, Sony announced three new additions to their point and shoot line of cameras. At a glance, the TX200V (above) is their tough camera that it waterproof up to 16 feet, and has a fairly thick layer of glass right in front of it (when we asked if it was Gorilla Glass, they couldn’t comment.) Plus, they announced the new WX70 with a 3.0 inch touch screen LCD and the WX50: which is their latest entry level CMOS model.
Interestingly, Sony said that the cameras will continuously autofocus and try to find something to focus on until you half-press the shutter button and lock it. That means that in real life use, the battery life may suffer. They also claim that these cameras have 1/6th the noise as their previous generation. During the presentation, we saw charts that we’re not allowed the publish; but the technology is called, “pixel super resolution technology.”
No press release here: just all the details you’re probably curious about after the jump; like more megapickels on those itsy bitty teenie weeny sensor.
Tips on Posing a Subject Without Touching Them (With Explanations)
After shooting lots of subjects back at NYC Comic Con, I received messages asking me how I posed my subjects and got the photos that I did. Posing can be a tough subject to master and then effectively communicating to the person how to pose can be very tough. Here are a couple of tips on how to pose someone without touching them (or at least minimally).
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Funny Stuff: Canon vs Nikon
Editing Video in Adobe Lightroom 4 Beta: Canon’s Cinestyle Color Profile
Various rundowns and impressions have been posted over the internet on the impressions of Adobe Lightroom 4 Beta so far. For me, I wanted to see how the new video editing interface worked. This came after downloading the Technicolor Cinestyle Color Profile for my Canon 5D Mk II. To be quite honest with you, I don’t see why I couldn’t have just manually set the color, saturation, contrast, and sharpness settings myself. However, I do see how it allows the user to have more latitude with their editing providing you’ve got a working knowledge of color theory.
We’re expanding the staff quite a bit: new positions are open
It’s a new year, and after gauging how things have gone for us this first month, I believe it’s time for me to grow The Phoblographer yet again. With that said, I’m announcing that I’m looking to bring on:
- two to four new reviewers
- two new educational content writers
- two new news writers
You MUST be located in the United States, however, I can make exceptions though they are extremely rare.
The ideal candidates will:
- Have great photography knowledge and be able to write well. While all articles go through my eyes and the Copy Editor’s, it makes it a lot easier on us to have polished writing and know what you’re talking about.
- Be able to contribute 2 times a week
- Be able to review gear, write features, and write posting that teach new things to our readers.
- Be super friendly: which is something that we’ve prided ourselves on here since Day 1.
- Know how to use WordPress
- Meet deadlines well
- Communicate with myself and the rest of the staff quickly
- Be well versed in social media like Twitter, Facebook and Flickr
- Being able to answer, “Who, what, when, where, how, and why?” in every single paragraph written in the story.
BUT FIRST: YOU’RE GOING TO GO THROUGH A TRIAL OF ONE POST A WEEK!
Now here are the plusses that give you an edge:
- If you’re a current B&H and/or Amazon affiliate, we will allow you to use your links in your posting here on The Phoblographer. In fact, we let anyone use any affiliate link program.
- If you’re located in NYC (or around it) you’ll be able to accompany me to meetings with vendors and you’ll get to bond closer with some of the staff members.
- If you’re familiar with The Phoblographer’s style of doing things (have been a long time reader and can figure out what makes us different than other places like DPReview) then you’ll have an even larger edge because you’ll meld in very easily.
- Familiarity with Photo editing products is required, video editing is a plus
If you think you’ve got what it takes: shoot me an email at chrisgampat[at]thephoblographer[dot]com with a resume, a cover letter, and a portfolio link, and then we’ll take it from there. In the subject line, please put: Application for The Phoblographer (Your name here: position applying for)
In the email, also please list the gear that you use. Nikon, Sony, and Micro Four Thirds users are a plus, but not at all required.
As for how many people we’re bringing onto the team: it depends on how many great candidates we get. I’m looking forward to reviewing your application.
EXCLUSIVE: Hands on Review- Rokinon 8mm f2.8 Fisheye (Sony NEX)
After the company announced their new lens on Facebook, Rokinon let me try their brand new 8mm f2.8 fisheye lens for Sony NEX cameras. Since Sony sent me the 5n to review, I decided to also give this brand new piece of glass a quick run. This is a hands-on review and at the time of writing this, I’ve spent maybe 9 hours with the lens in my possession and a significantly less amount of time playing with it. Plus, it was raining in NYC quite hard.
Either way, I present to you the exclusive first hands on review with the new Rokinon 8mm f2.8 fisheye lens for Sony NEX digital cameras.










