For years and years, I always wondered why no one had any sort of flash enabled light meter available for the iPhone; but then Lumu went and got the Lumu Power Kickstarted. It may have taken quite a long time, but it’s finally out the door. The Lumu Power light meter is designed for the photographer that wants and needs to use a light meter but that doesn’t want to carry around an actual light meter. Instead, they want something small that they can tote around and use whenever they want or need. Plus it simply works with your iPhone. So why would you not want one?
There’s absolutely no doubting that gaffers tape and electrical tape have been used by photographers for years now. The tape has helped with a multitude of situations: covering up logos to make their camera more low profile, keeping a battery in a camera because the camera’s battery door fell off and you don’t have the money to replace it, adding grip to a lens or camera, building a GoBo for a light, attaching a gel to a flash, securing a flash to an unconventional spot, etc. Just look at most Leica cameras and you’ll see gaffers tape on it. Indeed, it’s true that photographers have used it over and over again for years for almost anything and everything.
Photographers who like backpacks have typically reached for the Peak Design Capture Clip, but if you want a camera strap instead, the Ponte Leather Co. Camera Lift Strap is looking to capture your heart. Made of Canvas, a bit of leather, and some chrome buttons, this camera strap is more stylish than your typical run of the mill strap but still can’t hold a candle to the gorgeous offerings of 4V Design, Tap and Dye, Cub and Co, ONA, Hawkesmill and to some point Holdfast Gear. The camera strap, which we reported on a while back during its Kickstarter phase, is out now and we got some times to really test it out.
The Camera Lift is designed to keep the weight of the camera off of your neck. While it makes the weight distribution a bit easier to handle, it’s not exactly holding true to its promise.
I’ve had the Platypod Pro Max in my possession for a really long time now; and my lack of getting this review out doesn’t have to do with laziness or priorities, but instead trying to illustrate how it’s actually useful for many photographers. You see, the Platypod Pro Max is marketed as being able to go where tripods can’t. But at the same time, it doesn’t have a lot of the same advantages of a tripod. You can’t extend its height because it’s a flat plate, but you can indeed place it in a variety of other flat surfaces. So with that said you pretty much just secure a ball head onto this thing, then put your camera on and you’ve got something that you’re ready to work with. But then the question begs why you’d still use it to begin with.
There are products in the photo world that I’m happily proven wrong about, but unfortunately for the Cotton Carrier Strapshot Holster this isn’t one of those cases. The Cotton Carrier Strapshot is
a Peak Design CaptureClip rip off one of those camera strap alternatives designed to backpackers and photographers that always want to have their camera at the ready. And in many ways, it’s a great attempt at catering to the hobbyist and adventure photographer. Waaaaayyyy back in the day when I first started the Phoblographer, I decided that I’d review the original Cotton Carrier–which is a big, bulky system that you wear as a harness across your chest and attempt to lock a camera into. But unfortunately, its clumsy size, weight and just how unpractical it became vs many other alternatives on the market let it die out.
For the most part, the Cotton Carrier Strapshot honestly should too.
Not long ago, the DeadCameras Slim Strap Theme Camera Strap popped up on the web. These camera straps are handmade in Portugal–which is much different from many of the others that you find out there instead made in London, America, or even Italy. The DeadCameras Slim Strap Theme Camera Strap also have a very unique look to them that majorly differentiates them from lots of other camera straps out there. That’s easily visible not only from the photos in this review, but also from the materials used in its production.
Variable ND filters like the Syrp Super Dark Variable ND Filter have often been more popular amongst videographers than they have with photographers. But with proper knowledge of color theory or simply by relying on Auto White Balance if you’re trusting enough, a variable ND filter can be fantastic not just for the digital photographer, but also for the film photographer out there. The Syrp Super Dark Variable ND Filter is a variable ND filter that cuts out anywhere from 5 to 10 stops of light from your photo. The stops are clearly marked and the filter has hard stops at either end.
In the right situations, they rival Breakthrough and Hoya’s Quality.
With analog film photography on the rise, there is obviously the need and want for many city dwelling photographers with little room in apartments to want to scan their photos; and that’s where the Wolverine F2D Mighty 20MP 7-in-1 Film to Digital Converter comes into play. No, it’s not a drum scanner. And it’s surely not one of those scanners well over $1,000. But it’s also not supposed to be. This film scanner scans 110 film, super 8 film, and 35mm negative and slide film in addition to black and white. For only Check on Amazon though, you really can’t complain about the quality.