These Are The Speedlights We Recommend For Lighting Up Your Party Photography

As you have noticed lately, we have been exploring the arena of party and event photography, specifically the gear and tools needed to get great results in that genre. So far we have covered cameras and lenses, the two most critical aspects of a party or event photography kit.

Today we change our focus from the image capturing gear to another incredibly important piece to a party and event photography kit – the lighting. Specifically, we will be looking at our top speedlight recommendations, a list that will cover high-end (expensive) options as well as more budget-friendly options that also get the job done.

Ready to shed some light on your event photography kit? Let’s get this party started… Continue reading…

Review: Interfit Honey Badger Monolight (NSFW)

Today, Interfit is announcing their new Interfit Honey Badger Monolight that is designed to function as an affordable option for someone that needs both a monolight and a constant light. In fact, we’re talking about a $299 price point with a softbox included. Now, the Interfit Honey Badger doesn’t have a built in battery–which would put it over the top. But if you’re right by a power source it shouldn’t be that difficult to work with. Instead, the Interfit Honey Badger will appeal most to the photographers who work in a given studio location that doesn’t really change vs those who do location work. To add extra value to the Interfit Honey Badger the light can be controlled with their transmitter wirelessly and also act as a constant light. It doesn’t offer TTL output and only has a flash duration of 1/900th; but if you’re shooting in a studio then you’re doing everything you can to control the light output as it is.

So let’s dive into this review.

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Review: FlashQ Q20 Miniature Flash/LED Light

The FlashQ Q20 is a response to the need for small, simple to use flashes that also do double duty as LED lights. For today’s creative content creator, it’s a dream–but the implementation of the FlashQ Q20 is something far more likely to be in the hands of an amateur or photographer getting started than an actual working photog. To be fair, it doesn’t seem like it was designed to take on the likes of Adorama’s Flashpoint, B&H Photo’s Impact, Godox, Yongnuo, etc. Instead, the FlashQ Q20 sort of fills a totally different niche. Though it’s marketed as being versatile and easy to use, my independent analysis believes the opposite to actually be true–to a point.

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Review: Westcott Flex Bi-Color Mat

There has been a growing trend in photography leaning more towards working with constant lighting vs strobe; and the Westcott Flex Bi-Color mat seems to really cater to that thought process. I mean, just look at lots of the photography out there and how much it’s involving the use of neon lighting with a portrait subject these days. There’s sure a look there that isn’t very easy to do with strobe. Though for what it’s worth, the Flex Bi-Color isn’t really designed to deliver “that” look. Instead, think of it as a giant Rogue Flashbender with LED Lights built in, a very solid frame, and a very simple control interface.

Then consider that the light temperature works in the same way that color temperature works with none of the tinting abilities and absolutely no reasonable way to gel the light.

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Review: Pictools Folding Beauty Dish (47.25 inches)

There’s been a trend in beauty dish creation over the past few years that the Pictools Folding beauty dish really adheres to: good quality while being easy to put together and use. To boot, the beauty dish is also fairly compact when fully collapsed. It goes into its own bag and can be assembled fairly quickly if you’re just a bit patient with some of its oddities.

What you’ll be rewarded with is a pretty awesome beauty dish that I personally feel works better as an octabank; and quite a sturdy one too!

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Review: Sony FA-WRC1M Wireless Radio Commander and Receiver

When I was being briefed on the Sony FA-WRC1M Wireless Radio Commander for flashes before announcement, I couldn’t at all contain my glee. It meant a whole lot to me. It meant that Sony was going to take wireless flash control, strobists, and higher end photographers more seriously. They’re also only the second company to do so–following in the footsteps of Canon in a way. The flash commander also works as a camera remote. That part I didn’t totally understand but know that a whole lot of other units out there do the same thing. When I was working at B&H Photo, their Vello house brand did the same thing.

Overall, it seemed pretty positive. Seemed…

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Review: Impact Venture VE-TTL (Sony Version)

In the past few years, Sony has been receiving more and more third party support in terms of flash support–Godox, Flashpoint, Phottix, Profoto and others have started supporting the system and the new Impact Venture VE-TTL monolight is one of the latest offerings to offer TTL support with Sony’s flash system. Designed for professional photographers and semi-professionals, this flash system offers lots of power in one of the smallest packages I’ve ever seen. With 600 watt seconds of output, it’s incredibly capable and designed amazingly well.

Impact is a B&H Photo house brand and they’ve had products of varying degrees over the past few years. The LiteTrek and the original Powersyncs are some of the best. I saw this light at their offices a while back, and quite honestly became very excited and intrigued.

And as a Sony shooter that emphasizes the use of a minimal kit but the right lights to deliver my creative vision, I’m thoroughly impressed by the light.

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Review: Interfit 65″ White Parabolic Umbrella

Umbrellas are by far my favorite lighting modifiers due to the variety of looks they can deliver–and the latest from Interfit is surely no exception to the rule. Their 65″ Parabolic White Umbrella is great for working with portrait subjects but it’s also quite solid when it comes to build quality and overall versatility. Of course, this isn’t a true adjustable parabolic but it can deliver that look. This just makes sense though as Interfit has been trying to take higher end concepts and make them more affordable to the semi-professional photographer for a while. So in truth, I wasn’t sure what to expect but what I got was quite a surprise.

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