If you were to look at the various imaging formats currently available on the market, would you be able to easily tell the difference between the bunch? We’re out to prove a point in today’s posts: most people most likely would not be able to tell if a photo was shot on Micro Four Thirds, Medium format, or full frame. Just take a look at this sample gallery we’ve put together.
Fact: lots of photographers don’t know how well a focal length will work for them when it comes to portraits. But don’t worry any longer, we’ve tested a number of them on full frame cameras when it comes to portraits and we’ve got just what you need.
We’ve gone through our reviews index to round up a number of images from various focal lengths to show you how they render portraits.
Portraiture and gaming the system on Instagram isn’t always so simple. In fact, it’s pretty difficult. But photographers have been trying to cut through all the noise as best as they can for as long as the platform has been around. Getting better photos for Instagram starts in-camera, then with the editing process, and then with creating better content overall on the platform. So here’s what you should know.
Shooting portraits in natural light can honestly sometimes be tougher than using a flash; but that’s considering you haven’t done any sort of scouting beforehand. However, natural light portraiture can be pretty simple if you can find a way to figure out the artistic vision parts, as the technical parts can be pretty simple too once you pay attention and carefully think about what you want.
Here are a bunch of tips on how to make the most of natural light for portraits.
Today, we’ve got a really quick portrait tip for everyone and it involves creating the look of the Golden Hour when the sun isn’t setting. Granted, sometimes the best time to do this is during the blue hour or at a time when you’ve got everything nearly perfectly lined up in the frame.
So how do you do it?
When it comes to a lot of photography, 35mm has been the standard for many years. In cinema, Super 35mm has been–and it’s around the size of APS-C digital. But what about larger formats? In photography, we’ve got 120 film and in cinema there’s IMAX. IMAX is considered large format in cinema and arguably it’s really beautiful. IMAX film is rated to be around 70mm in size; visually it’s really 65mm and 5mm are used for audio.
But how does it compare to 120 film?
Photographer Kate Hook is an experimental, creative, modern analog film photographer who loves experimenting with new ideas and tricks. We’ve featured her work here before when she souped her LomoChrome Purple film; and now she’s back with a video on having fun with a disposable camera. While most photographers would scoff at using one due to their plastic lenses and crappy quality, Kate has the idea of being experimental and embracing it. In fact, she takes it even further.
Something that I enjoy doing for fun is looking for a way to make my images emulate the look of film straight out of camera. Though I know that it’s never going to be perfect, I like to see just how close I can come. So recently after looking through a number of older scans of Kodak Portra 160 NC, I’ve found ways to get a look fairly close to what the older version of the film looks like. Of course, it’s again not perfect, but here’s how you can get the look from your Sony camera.