Born out of a discontinued surveillance film made from Agfa, StreetPan 400 isn’t a respooled film, but one that’s reborn according to Bellamy.
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The JCH StreetPan 400 film was tested with the Hexar AF camera.
Ease of Use
Whenever I test a new film, I like to use my standard knowledge of film and apply it to every day shooting. For example, I know that Tungsten film will be very blue with a flash or during the daytime. Looking at some of Bellamy’s photos on his website with the film, it looks like something very attractive.
Most of my work with the film was during sunny days outside by the beach, indoors, in some shadows, etc. For the most part, that’s how I shoot a lot of black and white film. The Hexar AF is a camera that requires you to sometimes be really careful. Why? The max shutter speed is 1/250th. So when you’re outside in the sun with an ISO 400 film, you need to stop your lens down to f22 according to the rules of Sunny 16. For the uninitiated, that would otherwise mean that at f16, ISO 400, I’d be shooting at 1/400th. But the camera doesn’t shoot at that speed.
If you’ve got a camera that does this, then use it. But if you don’t, just hope that your lens is great. Thankfully, the one of the Hexar AF is incredible.
Then combine this with the high contrast look of this film. It’s surprisingly sharp and makes me think even higher of the Hexar AF.
The film grain from Street Pan is very fine overall. It’s much finer than Tri-X and Delta 400. So if you’re a person that craves that super grainy look, then this may not be the 400 film for you. In fact, this is some of the finest grain that I’ve seen overall for a 400 speed black and white film.
Because it’s such a high contrast film, you’ll also need to find a way to meter very carefully to try to balance out the shadows and the highlights. When you properly expose it, you can get a whole load of detail from both the shadows and the highights overall. Typically, you don’t want to expose for the shadows or the highlights specifically–instead you just want a balance here or in certain situations even overexpose just a tad. The black here are very inky and deep, so the film will really reflect that.
This film is more contrasty than Tri-X overall though not as contrasty as Delta 400–so it’s an interesting in-between with the finest grain of all of the options.
I really ended up liking JCH Street Pan 400 film. It’s overall pretty nice and wonderful to know that another company is trying to create something new for the analogue world. Would I shoot it again? Totally; though I’d probably want to shoot something like a documentary project with this film. For casual street photography, Tri-X and Delta 400 are generally speaking still king here.