The Dream Team: The Right Nikon Lens For You

by Gevon Servo on 03/20/2011

I recently created a B&H Wish list. It was mostly lenses. I am planning on how and what to save my money for. When I was done, the sub total of the list was $14,891.10. I mentally fainted. After putting myself through this, I came to the conclusion this list was mostly lenses I wanted but not needed. Have you ever thought about what lenses are essential to your photography? I’ve been thinking about his a lot recently. As I evolve as photographer and learn, I’ve been developing a lens force, or my team of lenses that I absolutely need.

On Good Glass

Here on the The Phoblographer, we like to stress the use of good lenses. We tend to agree that lenses are more important than your camera. When thinking about future pixels, I have to keep in mind how I am going to see them. A good lens is an enormous part of that equation. Early in my photography, I went ultra-cheap when purchasing my lenses. I got lucky on one lens, my Nikon 28-80 fx; the other lens, an older Tamron 28-200 FX, not so much. I’m sure the newer version is better though.  Even though I use it sometimes, it’s basically a doorstop when it comes to using it with my Nikon D90.

For Landscape

If you have read my landscape posts in the past, you know it’s one of my favorite styles of photography. This style does not need super-fast lenses. It needs lenses that are pure quality. Right now, my favorite lens for landscape photography is the AF-S DX NIKKOR 35mm f/1.8G. It is my favorite because I own it and the lens gives me a great field of view. I do want a wider prime for landscape like the AF NIKKOR 24mm f/1.8. However, the lens that would have to be in my kit is AF Zoom-NIKKOR 24-85mm f/2.8-4D IF. This great multi-purpose lens easily transitions into other styles of photography. I am really thinking about the Sigma 8-16mm F4.5-5.6 DC HSM Ultra-Wide Zoom, but for now, its more of a want than a need.

For street photography & photo walks

The AF Zoom-NIKKOR 24-85mm f/2.8-4D IF is a great lens for street shooting and for photo walks. It gives great views and also allows you to switch to easily switch to a portrait focal length. On occasion I do like to carry my Sigma 70-300 DG Macro. It is by no means the fastest lens in the world but it’s versatile and provides solid images on photo walks. It’s a great lens to capture candid moments. My favorite lens, though, for street photography while on photo walks is my AF NIKKOR 50mm f/1.8D. On a full frame sensor or a Crop, it’s ultra-versatile. Able to go indoors or out, it’s small and unassuming but delivers fantastic images. I can use it with my bokeh masters kit, adding another dimension to my photography

For Portraits and Events

The AF NIKKOR 50mm f/1.8D is also great for portraits and events. The lens is great up close. I have heard a lot of people rave about and suggest the AF-S NIKKOR 85mm f/1.4G and I have shot with the AF-S NIKKOR 24mm f/1.4G ED. They are both very good lenses but the lens I literally dream about, when it comes to portraits, is the AF DC-NIKKOR 135mm f/2D. It is a medium telephoto lens with defocus image Control. This lens allows you to control of the degree of focus in the foreground or background making it a bokeh super hero.

For foodie, coffee and product

The AF DC-NIKKOR 135mm f/2D is great for product shots also. With this lens you can get a lot of different perspectives of the product while controlling what is in and out of focus. I find the AF NIKKOR 50mm f/1.8D and the AF-S DX NIKKOR 35mm f/1.8G is great for products also, but really shines with food and coffee photography. Another lens I have wanted to use for food and product photography, though, is a tilt shift lens, specifically PC-E Micro NIKKOR 45mm f/2.8D ED, for its perspective control.

For architectural

I like the PC-E Micro NIKKOR 45mm f/2.8D ED for its tilt, shift and rotation capability which is perfect for architectural, nature and commercial photography. Wide-angle lenses like the AF Zoom-NIKKOR 24-85mm f/2.8-4D IF will work well when photographing buildings but nothing tops a tilt shift lens.

In the end

These lenses are what I consider my must haves. At this moment in time, I now have AF NIKKOR 50mm f/1.8D, AF-S DX NIKKOR 35mm f/1.8G and the Sigma 70-300mm F4-5.6 DG MACRO. The AF DC-NIKKOR 135mm f/2D, AF Zoom-NIKKOR 24-85mm f/2.8-4D and PC-E Micro NIKKOR 45mm f/2.8D ED will be what I am saving for after I get my full frame camera. All these lenses can be used on my Nikon D90 and handle everything I want to do well. I do want more lenses after this but for now, these will be a great team of lenses.

What lenses do you absolutely need? Let us know in the comments.

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  • Ian VDH

    Heya,

    I’m pretty new to this site (a couple months now), but it has quickly made its way to the top of my photo bookmarks. You guys write some great articles.

    I’m looking to buy a DSLR in the next month or so (already plan to get the Nikon D7000 with 35mm/1.8 to start). This article is perfect for what I’m going to be looking for in the future (I take a lot of landscape photos).

    Just wanted to say thanks and keep up the good work!

    Regards,

    Ian

    • Gevon Servo

      Good Choice, to start out with! I love my 35mm lens. Keep checking in, and if you have Nikon Questions, just ask away

  • Drazen Samardzic

    Primes are great. I use Nikon 20mm 2.8 and 85mm 1.8 but I recently got Nikon 17-55 2.8 and it’s GREAT!!! It never leaves my D300 now. Sharp, fast…dream come true.

    • Gevon Servo

      Yes, my 50mm and my 35mm are my faves, i hope to get an 85 sometime this year

  • http://www.5thmonday.com Stephen

    I do mostly concert photography and I have those “dream” lenses I want… I have had to move things down my list based on how much I would use them… Things like a fish eye would make some awesome shots but how many shots would I actually take?

    I also had to learn to filter through lens reviews… you have to remember that people are reviewing lenses for what they do – and also listen to those you can actually look up what they have done.

  • http://majkowskifoto.com CMF

    I do agree in regards to the Nikkor 50mm f/1.8. It is really worth ten times its weight in gold. With full frame DSLR the 35mm f/1.8 won’t be usable though.

    Taking into account the image and build quality I went for the older 35mm f/2D. Which just rocks even more.

    Personally I am planning to grab 85mm f/1.8 quite soon.

    I do not really know what kind of product shots you do want to take with 135mm f/2 but the maximum aperture and minimum focus range of that lens are not that great for it.

    • Chris Gampat

      Really? Because I’ve done some stellar work with a 135mm stopped down for product photography. I prefer longer lenses and wireless flash control.

      • http://majkowskifoto.com CMF

        So actually what product photography shots did you take with that lens?

      • http://www.bigelowphoto.com Rory Bigelow

        I would think it would be a bit limiting. I typically use Micro Nikkor 60 & 200. If I’m looking to black out backgrounds, I’ll throw on ND filters and blow it out with gridded lights.

  • http://www.bigelowphoto.com Rory Bigelow

    I have quite a bit of kit, and I still have a way to go. I have about 10 lenses, some of which overlap, and I still have two on my list, and need to rethink my lighting. This is a neverending battle. Even if you went with the Nikon Trilogy (24, 35, 85), there’s going be ones that you want 45 PC-E, 70-200 VRII, etc. Ironically, the more I shoot, the less I worry about such things. It’s when it’s slow that I start thinking of revamping the kit.

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  • http://www.facebook.com/jakevscott Jake Scott

    nkon 50mm 1.4g its fast, sharp, makes you get creative
    the 70-300mm VR 4.5-5.6g, great for events, sports, portrait, and the vibration reduction really does help because it is a long lens making less light come in and which would cause chances for blur

  • Feroz

    A 24-70 and 80-200
    The former for pretty much every thing in everyday scenarios. The latter for sports; super sharp!

  • James

    For me, the Lensbaby Composer with two optics: double glass and Edge80 are must haves. Great list!

  • aKiLL

    but what about macro shots?

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