Field Review: Olympus E-5 (Day 2)

by Chris Gampat on 01/11/2011

Now that the impressions were given and the Olympus E-5 was customized to my special settings and needs, I decided to take it out into the medium snowfall and that New York City was experiencing not long ago and see what the images came out like.

Image Quality

When I used the Olympus E-510, something that I realized was that in order to get great color you need to set the camera to, “vivid” mode in order to get great colors. The image above was taken in Vivid mode while on my lunch break at the local deli.The image was overexposed about 2/3rds of a stop because I originally thought to myself that I would overexpose every image and then pull them down in post production. However, the image above wasn’t edited at all except for a resizing in Lightroom 3 and conversation to JPEG from the ORF (Olympus Raw File). As you can see, the blues, reds, and greens are so very rich. The yellows are another story: on the bottom left of the image they are nice and subtle. On the bottom right, they are a bit stronger. Right above that where the egg salad is is where it becomes a bit problematic.

If I had edited this photo in Lightroom 3, I would’ve used a brush to desaturate that area but a little bit. Of course, this is just for my personal preference. You could obviously have a different opinion.

Even when you tend to underexpose the images a bit, you can still get some really nice colors out of them. Many photographers will really appreciate this if they don’t do much post production work (or don’t want to.)

I did another test for the yellows. In this test, the yellows were very life-like. The red bag in front of me in oversaturated and the the red pillar holding the, “34 Street” sign is actually undersaturated. The entire image was balanced evenly according to the camera’s metering system.

I did another flower test since I know that lots of Olympus shooters use their cameras outside in the rugged outdoors. When in the outdoors, you’ll perhaps be taking more flower shots. As you can see, these flowers are wonderfully colored.

At this point, it would be a good idea to once again reiterate to everyone that the images in this section were shot in RAW, resized in Lightroom 3, and then converted to JPEGs.

Most people will be totally satisfied with the images that come from this camera. The colors are significantly better than the Pen series. You can put this test against the Olympus EP-2 that we reviewed previously.

In my initial tests though, I did find the dynamic range to be a bit lacking. Once again, I say dynamic range vs color depth (which this section has proven is very high.) Part of this could be the smaller sensor which therefore also means smaller pixels.

Once again we’re going to bring up this chart: note that the Olympus E-5 is a Four Thirds DSLR.

Raw File Versatility

A comment about the opening photo for this story: we featured it on our Facebook page and Olympus tweeted it. It was fairly heavily cropped for composition. Then the recovery level was raised a bit to save the highlights and I converted the file to black and white. After this, I set the color levels, added a vignetting effect, and got the image that opens this story.

The image above was also converted to black and white after a fairly terrible move on my part in overexposure. The man in the center was skipping along in the snowfall. The same editing process was done for this image but the clarity, contrast and black levels were also tweaked. Additionally, grain was added in the post-production process in Lightroom 3.

Sure, the Olympus E-5 has art filters: but I’ll be testing those later on in another posting.

I shot this image because I loved what the woman was wearing: her coat is so unique amongst most people in midtown (no really, you don’t see many leopard print in that part of Manhattan), her scarf and hat match so well, she’s got great legs and her boots are very stylish. I was in a rush to work myself so I couldn’t stop her to take a photo before she went down into the subway.

So what does that all mean? The colors! The only editing I did to this photo was to get rid of some highlight clipping with the recovery bar. The yellows in her coat, the red in her hat, and the punchy green in the man’s jacket really make the Olympus E-5 a big winner in my book for color depth.

Comments About Weathersealing on the E-5

The Olympus E-5 took lots of hard falling snow like the Spartans take the rain of arrows in the movie, “300.” If you haven’t seen the movie, they essentially shrug them off.

And that’s what the E-5 did. It got very, very wet but kept on clicking with no problem. Additionally, the focusing still remained lightening fast. I was using the Olympus Zuiko 12-60mm f/2.8-4.0 Digital ED SWDlens.

Much more to come in this review: we’ve only scratched the surface. Let us know what you think so far in the comments below and also tell us what you want to see in future postings.

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  • Paul L

    Chris, how does the E510 compare? Does also have this colour (if used in vivid), can it produce comparable resolution to the E5 if using better lenses than the 14-42mm and 40-150mm, has the subsequent 12mp Olympus sensor in the E6XX and E5 moved the game on? I’d like to understand if I can get a lot more form my E510 before I abandon it. For what it’s worth the lack of resolution, narrow dynamic range, poor viewfinder (generally and for manual focusing) and tendency to over-expose have been my frustrations and it would be good to know how much of that has been down to me and the kit lenses.

    Here in the UK the E5 was launched at GBP1500 and it will take a while for the price to drop. Olympus’ apparent withdrawal from 4/3 makes it a difficult decision for anyone to stay with Olympus and develop it.

    Hence, I have one foot in the EOS60D, EF-S 17-55mm f2.8 and EF 70-300mm L f4 camp but I’m taking several weeks before doing anything.

    For us non-pros, DSLRs become a virtually bigger lump to carry each year with the march of interchangeable lens non-mirror cameras. So, its also interesting to hear the comparisons with u4/3. I wonder if the rumoured E-P3 will restore the balance against the E5.

    Choosing a camera or lens system has always been a tricky business for a hobbyist but even so in what feels to be a technological time of great change away from precision mechanical devices of mirrors, shutters and prisms.

    • http://thephoblographer.wordpress.com Chris Gampat

      Hi Peter,

      Thanks for stopping by again :)

      At this point the E-510′s sensor and the others can’t tough the E-5. This statement stands even with better glass though you can try all you want in post production. If you still want better glass, go for the Panasonic 25mm F/1.4.

      Against the 60D, they’re both good cameras, but it is an unfair comparison. The E-5 is a flagship camera, it would need to go against the 7D. Out of the cmaera, the E-5 will give you better results. When you’re editing though, the Canon CR2 files are more versatile.

      The E-5 was designed for rugged professional work that can be fun on the side with the Art Filters and also for studio use with wireless flash control. The 60D is a tougher Rebel with some extra features. Canon also has more lenses available.

      You need the decide what your needs are first.

  • Peter F

    I don’t understand what you have done here. The “vivid” setting in the camera does not effect the RAW file that you are converting to JPEG within Lightroom…

    Are you instead using a “vivid” color profile within lightroom?

    • http://thephoblographer.wordpress.com Chris Gampat

      Hi Peter,

      It sure does affect the Raw files. Try important a Neutral color setting and a Vivid color setting photo into Lightroom, you’ll clearly be able to see the difference. In contrast, if you’re shooting in something like Monochrome, it usually doesn’t affect the Raw file (at least that’s how it was with the E-510.) This goes even more with the Art Filters (which only allow you to shoot these in JPEG mode anyway.

      I’ll have screenshots in a later posting. Thank you for bringing this to my attention.

      • Peter F

        I look forward to checking that out (E-520) though with grey snowy weather in the forecast it may not make much difference, vivid versus natural, etc. *grin*

        In your later postings will you be comparing OOC jpegs with the LR3 generated jpegs? At least with my E-520 they are very different. Adobe (when converting ORF to JPEG) can’t quite seem to get the colors the same as the Oly OOC jpeg. I have the same issue with raw files from the LX5.

        • http://thephoblographer.wordpress.com Chris Gampat

          It wasn’t originally planned, but I sure can do that.

  • fatherpaulkammen

    Hi Peter,

    Great review. I’m an Olympus guy as I got the E620 in 2009, and couldn’t pass this up. I like four-thirds a lot as I enjoy wildlife/birding, and the cropped sensor can give me more reach. I found that JPEG on this camera works very well; I shoot at the fine setting, I think the largest JPEG available. I have no complaints with it at all; it’s rugged, well built, and focuses nicely. I’d encourage you to experiment with the filters too, especially dramatic tone as it gives an HDR-like effect. One nice thing too on this camera is exposure bracketing. I enjoy HDR too, and to fire off five in a row at different exposures is nice; Canon I believe (and the E620) only let you do that at three different exposures. Olympus has also done a nice job with ISO, a weak spot I think on older models.

    Thanks for your review!

    • http://thephoblographer.wordpress.com Chris Gampat

      My name is Chris ;)

  • http://nigelpaterson.wordpress.com Nigel Paterson

    Here’s an amazing video of the E-5′s weather sealing. http://www.youtube.com/watch?v=SfxUHGziwgg

  • http://thephoblographer.wordpress.com Chris Gampat

    That video was in our hands-on posting with the E-5 but I shot this the other day: http://www.youtube.com/watch?v=vgnmduVOEVo

    It will be the focus in our Day 3 posting (or day 4).

  • Pingback: Field Review: Olympus E-5 (Day 3) at The Phoblographer

  • Pingback: Field Review: Olympus E-5 (Day 4) at The Phoblographer

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