4 Reasons Why the Olympus EPL-2 and XZ-1 Will Dominate in Sales

by Chris Gampat on 01/05/2011

Admittedly, I haven’t touched either the Olympus EPL-2 or XZ-1 at the time of writing this posting. However, they are two very exciting cameras that are bound to be hot on everyone’s list. Those of you that have been reading the site for a while know that I hated the EPL-1 (more than once) to the point of even refusing to link to it through Amazon and B&H because I wouldn’t tell anyone to buy it. It seems like Olympus has listened to what I clamored for originally, and threw in some amazing accessories as well. If not, it at least will make the decision between the two top dogs in this category a bit more difficult.

Editor’s Note: Olympus asked me to remove the charts and graphs from the earlier posting, and so this is my update.

Tech Specs

Here are some graphs that I pulled from the presentation I was given before CES 2011. FYI: MSC means Movie and Stills compatible lens. And once again, we’re wishing that the LCD screen would be better, but you’ll see that the versatility and strengths of these little cameras more than supplement the flaws. Wireless flash control is also possible: which many of you know I love. The EPL-2 is 12.3MP and will be sold at $599.99 available in January 2011.

Outstanding Features:
- MSC Lens – the new Movie & Still Compatible (MSC) ED m14-42mm f3.5/5.6 zoom lens (28mm-84mm equivalent) features a high-speed, silent autofocus during still shooting and high definition (HD) video capture;
- New 3” 460,000 dot LCD – for bright and easy image composition;
- Live Guide II – preview HD video and still image effects on the E-PL2’s high-resolution LCD screen to achieve the perfect result effortlessly;
- Art Filter Variations and Enhancements — choose from different art filter looks to expand your creative horizons or overlay different art filters to create something new, now with full manual control;
- ISO 6400 – take great low-light photos with the camera’s increased ISO sensitivity;
- New Ergonomic Body Design – shoot stills and videos comfortably with a more ergonomic grip and updated button placement and functionality for ease of use; and
- Face Detection with iDetect – an amazing new function makes it easier to capture the spirit of your subject, automatically making a person’s eye the focus point of the image.

The E-PL2 further reduces the chance of blurred subjects in images by recognizing up to eight faces, tracking them within the image area, and automatically focusing and optimizing exposure for sharp portraits.

Art Filters from the E-5 brought to the PEN series (Dramatic Tone, Diorama and Pin Hole) with each filter having variations in strengt

XZ-1 Looks Powerful. Yes, it has a higher res screen than the EPL-2.

- Front (around the lens) and rear dials for control like the Canon S95.

- F/1.8-2.5 4x zoom

- TruePic V

- 1/1.63″ CCD Sensor

- 610K Dot 3″ OLED screen

- Dual IS

Interchangeable Accessories

Any accessory that the EPL-2 can mount, the XZ-1 can as well. That means that the new MAL-1 macro ring light can be used with either model. For clarification, this isn’t supposed to be a ring flash: it provides continuous lighting so that you can view the results in real-time. As many macro shooters will know, using the LCD screen for macro shooting can be very helpful. Both arms extend up to 17cm.

Then there is the PenPAL, which connects to the camera and wirelessly transmits the images via Bluetooth. While I haven’t totally seen how this works, it surely is exciting technology and can aid greatly with the issue of wanting to share images instantly with a point-and-shoot and not being able to. Olympus states that it is, “A sleek communication unit for storing up to 2600 images and transferring them via wireless Bluetooth to other Bluetooth-enabled devices, such as a mobile phone, PC or even another PENPal-equipped camera. From there it’s easy to share them with friends in online communities or via e-mail.

I do know that when the images are sent that they are compressed for the web: so there will be no RAW image transmission. And for guys like me that strive to get everything right the first time: that’s just fine.

Your other alternative is an Eye-Fi card, which we love.

The Dials! They’re Back!

Olympus brought back the dials of the other Pen cameras over to the EPL series. Additionally, the XZ-1 seems like a suped-up Canon S95 with both front and back dials plus a faster lens, pop-up flash and accessory port. The LX-5 may also have met it’s match with more accessories.

If Olympus’s menu is simple to navigate, then they’ll have a winner.

Fast Lenses and New Designs

F/1.8 on the XZ-1 and a more professional look to the EPL-2 will make these cameras the object of desire with many people: more on this in the next section.

The Need for a Family Camera

I’ve been recently advising loads of hobbyists, photographers, enthusiasts, etc. And I often hear from men that they need a camera that will give them versatility but that they’ll be able to put into Auto, hand off to their wives so they can use it, and then let the kids use it too.

These are those cameras. They will have loads of power, interchangeable lenses (if you want them) and loads of accessories for different needs. Want a better photo than what your phone can give you? Snap it with the camera and then transmit it to the phone and share it. Want to shoot better flowers? There is an accessory for that. Want to get into small studio shooting? There is wireless flash control.

These two cameras have so much potential right now and though I may sound a bit like a fanboy as I did with the Pentax K-5 and K-r, my hat goes off to Olympus and hope that something doesn’t screw this up for them.

Thoughts? Am I just a crazy fan boy that used to use Olympus? Let us know in the comments below.

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  • Tobias W.

    I agree with your assessment. I own a lot of Olympus gear already. While I think the best thing about the E-PL2 is basically the shutter speed improved to 1/4000s, I don’t think it’s necessarily that much an improvement from the photographic point of view. Ease of use sure looks better though with it. Still, the E-PL1 sells for under 380€. That is much less than what the E-PL2 is going to cost. So, the E-PL1 is a valid option for many.

    The real winner is the XZ-1. I have an S90 and I love the dials on it. Seeing that Olympus picked up this idea, I will probably switch to Olympus for my next compact.

    • http://thephoblographer.wordpress.com Chris Gampat

      I really hate the lack of dials on the EPL1, so the return for this is awesome to me. I also hated the on/off button.

  • http://www.harold-glit.com Harold GLIT

    Interesting that you can start your posting by such a claim for a camera that you have not even seen in real
    While the EP-L2 is a nice refreshment of the EP-L1 it is still lagiing behind the competition , especially regarding the sensor

    The Xz-1 is a nice P/S but so is the LX5 or the Ricoh GXR/ GX series.
    the built-in flash , the direct movie record button the eye detection clearly make it a snapshooter camera

    Harold

    • http://thephoblographer.wordpress.com Chris Gampat

      Not really, the people that want to buy an S95 or LX5 usually consider Micro Four Thirds cameras or NEX models. Regarding the sensor sure, but the versatility: no way.

      The other P/S cameras don’t have an F/1.8 lens with a maximum aperture of F/2.5 at the longest focal length.

      Eye detection makes it a snapshooter? Tell that to photographers losing their vision: http://blog.blindphotographers.org/

  • Lich

    I love the “versus competitors” part. Especially the “other” in far right.

    Super awesome XZ-1 beats the X100 with the most robust specifications, yes.

  • Vince

    I’m already trying to steer my wife towards the XZ-1 to replace her old Canon S400. I’ve got my fingers crossed that there will VERY soon be an app for the iPhone/iPad as well. That will put her over the edge for sure.

    I’m still bummed that she hates the retro styling of the Fuji X100 :-( That’s my absolute favorite upcoming pocket camera…

  • http://askthetrainer.com Mike Behnken

    Cool the XZ-1 looks like a great camera. As an SLR (Nikon D700) owner I can say I have really enjoyed the Canon S95 point-and-shoot mostly because of its size and ease of one hand operation. The XZ-1 looks like a copy of the S95 to me which is all good. The major selling point for any point-and-shoot for DSLR owners is going to be pocket-ability and I hope this one fits unnoticeably in my pocket.

    • http://thephoblographer.wordpress.com Chris Gampat

      Fairly confident it will fit in your pocket. What I really like is the faster lens.

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  • http://lucianmarin.com/ Lucian E. Marin

    Olympus XZ-1 is looking really nice.

  • Digital Nomad

    Let’s face the facts, the 4/3 sensor is a small sensor. Someday,[ and it will happen] cheaper full frame sensors will be on every camera. And when that happens, aps-c size sensors will be considered puny, and the smaller 4/3 sensors will be the straw that will break Olympus and Panasonic’s back.Guess what Olympus will do once ppl stop buying their cameras? Remeember the Pen F? The om series? The 4/3 cameras? Yup, Olympus will abandon the m4/3 lines and leave all their users for a 4th time.By that time, if they still want to be in the camera business, i foresee that they’ll start buying ff sensors from Sony and create yet another gimmicky line. Too little , way too late.

  • Thomas A. Fog

    To pessimistic Nomad.
    You need not worry about the 4/3 sensor-dependant rise and fall of Panny- and Oly’s. Sensor-size is not a future limitation of quality. Glass-optics will be the real limitation before sensors. The GH2 already successfully features a crowded 18 MP-sensor, and the next to happen will probably be curved 4/3 sensors – challenging the full-framed DSLR’s and Leica M9 quality sensors which all of them are closing in on the remaining quality-gap between them and the glass in front of them. Nobody needs football-field-sized photo-prints. What we need is sensor-quality and quality data-handling. The bigger the sensor the easier the handling but again – pixelsize is a relativistic matter – and so is light and intensity.

  • Digital Nomad

    Pessimistic, Thomas? No, I prefer the word realistic. If sensor size is not the future limitation of quality? Then why make any sensors larger than that of a compact digital point n shoot? I mean, if the sensor remains the same, then I suppose they can keep cramming more and more and more pixels into it. How many more apples can one stuff into the same size barrel? Another thing to note is the 4/3 bodies.They are going to be GONE. Do you trust Olympus now with the m4/3 system? They want consumers to plunk down money on yet another system with just a few lenses in their lineup? And then what? what’s going to happen when Canon and Nikon come in the market with their mirror-less cameras? Panny will go back to making tv’s and Olympus will be making nick knack cameras for woman’s purses. Many things in regards to digital cameras and sensors may be “relativistic” Thomas but money and lost investment are brutal realities paying consumers must face.I don’t know about you, but I’m not interested in giving money to companies who charge a premium for their stuff and don’t even give me the equivalent of competing companies such as Samsung, Canon, Nikon.ie a larger sensor amongst other things. Oly and Panny should give consumers what they want, don’t tell them what they need and send them down the river once the jig is up. It’s all fun and games, hopes and dreams until your considerable investment get’s abandoned by the company you supported. Me, no thanks, I’d rather buy a Samsung NX system. Larger sensor, small camera and with at least 3 pancake lenses at reasonable prices and excellent quality [ 2 of them are already out ]. Funny how Oly and Panny cameras came out so much earlier and yet Samsung has a more interesting lens line up.

  • Oak Shutters

    @Digital Nomad: The 4/3 sensor is a compromise. It gets you smaller lenses compared to full-frame or APS-C, but better image quality than 1/1.7 compact sensors. Judging by the image quality I’ve seen so far, it’s a good compromise.

    I share your concern about the long-term viability of m4/3, but the fact that it is backed by two different companies, and has been fairly successful so far, is somewhat reassuring.

    Samsung NX has great specs, but so far the image quality I’ve seen doesn’t look as good as what comes out of m4/3 or NEX cameras. Samsung is new to this game, and will improve their lenses and image processing over time. But there probably wouldn’t be a Samsung NX if it weren’t for the success of m4/3.

  • Digital Nomad

    Oak;
    I agree that if one isn’t going to blow up a pic to 18 by 24 then image quality and sensor size shouldn’t be a factor but if that is the case then the NX will do just fine over Oly and Panny. Let’s not forget that the nx10 is Samsung’s first camera.And though it may have slightly lower I.Q. at higher iso’s, there is much room and space for improvement in the future.
    Not to mention that when the sensor is aps-c size, the biggest pro is when users opt to use legacy lenses with adapters. Now, sure the Samsung sensor has a crop factor of 1.5 but with Oly and Pannys m4/3 sensors its 2-times. I don’t know about you but 1.5 crop factor was painful enough , 2 times is just plain sadistic.And no, I don’t wanna spend 1300 on one of their premium dinky little zooms when I can spend the same amount on a better Canon L lens.Then again, who would? I’ve seen a lot of cameras around the street, but I’ve never seen a Panny or Oly m4/3 with a 1000 dollar zoom. Not once.
    Also, it’s never just the camera but the lens line consumers look for when deciding on a system.If I was gonna take a chance, I’d go wit Samsung only for the lens line.They have 2 and one more pancake lens coming out, with Oly and panny with just one a piece. When a company touts the small size of their cameras, they’d better comes up with small lenses to go with it.But no, Oly and Panny decide to make 900 dollar zooms. The Samsung pancakes retail for around 350 usd, with a 60mm macro, a 85mm 1.4, a mega zoom lens as well as other lenses that were recently announced.
    Iam not an I’Q fanantic, or else I would have gotten into ff cameras or medium format. What Iam saying in general is that I don’t trust Oly or Panny by what they have done so far.Sure they have made the mirror-less format somewhat popular, but they were the only two to have made them.And by the way, taking the mirror out of cameras is not a new technology.Neither is making a lens mount capable of accepting other lenses. Neither is having contrast AF on cameras.And yet they charge the same amount if not more than let’s say a Canon T2i, which has faster AF and superior I.Q.So why the cost? The truth is I would buy an ep-2 if it wasnt a grand here.I’d buy it if it had more than just one pancake lens [which the Samsung's 30mm pancake got better reviews] and I’d definitely buy an Oly if their better lenses don’t go for around 1000 usd.
    I have seen the Pen F, the om, the 4/3 system, I’ve see their track record, and it is not good. Camera companies are like crap sports teams, you know.The more you give money to support them, they more they have the ability and excuse to disappoint. Everyone knows that companies only listen to one thing, their bottom line, and as for myself, I would say the same thing.I’am only interested in my bottom line.And so far from what I see from Oly and Panny are good decent small size sensor cameras but way over priced. I don’t know about other consumers, but I personally don’t see a need to make wealthy companies [who won't give me what I want] any more wealthier.

  • Oak Shutters

    Nomad,
    I’m with you regarding the price. With m4/3 cameras, everything is smaller but the price. You’d think they could make the price smaller as well. Benchmarking against the Canon S95 ($500 US), m4/3 doesn’t look so bad, but compared to the T2i, m4/3 is overpriced. Canon has become very efficient in making DSLRs over the years.

    Actually, before Samsung came out with their line, I was hoping they’d join the Four Thirds standard and help strengthen the standard, increase the variety of offerings, and drive the prices down.

    The m4/3 lens story doesn’t look so bad to me. In particular, the Panasonic 20mm pancake and 14-140mm zoom get great reviews, and that might be all I would need. But they’re $325 & $700 US respectively, so again its all about the cash.

  • Digital Nomad

    Oak, Ive read the reviews on the Samsung 30mm pancake and it is very good.in fact the 20mm pancake is very good as well.They also have a 24mm pancake coming up.Samsung has delivered on every lens they said they will bring out or make.Their lens line for 2011 is smart and in tune with what mirrorless camera systems should be.That is, ppl who buy small cameras also want small affordable prices.I have only seen the 30mm pancake for the Panny and Oly system, and I don’t see any more on the horizon.Samsungs upcoming lenses are the 60mm macro,16mm pancake,18-200mm movie lens, and the 85mm 1.4.

    I would be happy with just 2 pancake lenses and the 60mm macro, but for a company who’s come to the game late I’ve got to give it koodos for such at least bringing out a thoughtful lens line.The 5 samsung lenses already out are all within 400 usd or cheaper and all have gotten good reviews.I can’t say the same for Oly or Panny’s lenses..esp in price.I also suspect that Samsung lenses may even have even had the help or contributions from either Pentax or Schneider but I’m sure Samsung will publicly dispute my hunch.Either way, good lenses designed by whomever is a plus for consumers, not a minus.

    Now I’m not bashing Oly or Panny, i mean, is the epl2 better then the Samsung nx10? It probably is, at higher iso’s and perhaps elsewhere.But again, consumers like myself don’t get a camera for just a camera, we get cameras for the lens system and of course, price.And with price, if you’re [ oly and panny] going to charge 700-1300 dollars for a lens, it better be damn better then the Canon and Nikon equivalent.No on I know if going to fork out 1300 on an oly or panny lens when they can get a Canon or Nikon, with better I’Q. and build and resale value.

    Having mentioned Canikon, it is widely rumored that they will also come out with their own mirrorless cameras.Canon has also stated that their camera may or may not have a mirror.Which is smart, because Canon has a history of making smaller cameras.It’s also an indicator that Canon probably does not feel that mirrorless contrast AF is still not up to snuff.It wouldnt suprise me if Canon introduced a small crop sensor camera with a small type of relfex mirror which will run miles in terms of Af speed over anything oly and panny can do.

    Summing up, if I was a panny or oly user,I would be very concerned about Canikons plans to make their own smaller E.V.I.L cameras.All Canikon has to do is make a smaller camera with better I.Q.and faster AF [ which they are easily capable of] , price it a bit lower, and it could spell the end for oly and panny.And if they cut and run from the m4/3 market, where else can they go? Olympus has no other place to go, they’ve already abandoned their om users, their 4/3 camera line.I, too, am concerned about Canikon, if I were to buy a Samsung, as the market share will probably once again be held by Canikon and the rest will be fighting for scraps like in the dslr market.Going back to Panny and Oly, do they make good equipment? Yes.Are they over priced? Yes.Have they done enough during all this time they have the market to themselves? NO.Will they be in trouble once Canikon invade this market? You can bet on it.When a company like Samsung comes late into this market with comparable cameras and a smarter lens line, you know oly and panny have had their foot off the pedal for a while. Look what happened to Minolta. Lack of direction killed Minolta and now they’re doing the same to Sony.

    I don’t mean to burst any panny or oly fan’s bubble, but any sane person can see the big shark looming on the horizon, and that is Canon and Nikon.I personally do not plan on spending a tonne of money on Samsung if I were to buy into the nx system, because even if you dont like Canikon, you have to respect it’s might, its technology, its resources, its brand and it’s marketing..it will devour oly and panny. If I wan panny-oly i would be very worried. When the new mirroless Canikons come out, the days of oly-panny charging 1000 for m4/3 cameras may be over.

    Oak,In regards to Canikon joining the 4/3 line it was no surprise to me that they did not.The fact is that there was no way that Canikon would anger all their users by dumping them and adopt someone elses idea or system. That would have been the greatest mistake in the history of business and absolute suicide. Canikon have too many users. Imagine the headlines- “Canon and Nikon to dump millions of it’s users to adopt Olympus and Panasonic 4/3 system.” It would have been the biggest business mistake known to man.

    Iam leaning on the Samsung only because of the lens line and of course the aps-c 1.5 crop factor sensor.I like the 2 pancakes out and the 3rd coming soon.I also like their prices.But if I were to be forced to jump ship someday after I invested in Samsung, it would not be to oly and Panny.

  • Digital Nomad

    correction – ” ppl who buy small mirrorless cameras want SMALL LENSES at affordable prices”

  • Thomas A. Fog

    To digital Nomad.
    Sorry, I’m late. Anyway.
    I think micro four-thirds have come to stay for a very long time. The competition from all the others might be a challenge in the future regarding downsizing which is what m4/3 is all about. Travel-and-keep-it-small-easy-and-light-weight. But Oly and Panny has a mega-feature up the sleeve. Their lens-mounting. The world is wide open. Almost any 35 mm high-quality lens from the past and from today will fit via adapters. Around 500 pieces. What an experimental field for millions of photographers to explore. Most of them already are in the possession of several lenses of both the past and today that will easily fit the m4/3 system. The esteem of Leica, Contax, Voigtländer and others make the m4/3 shine despite Canon, Nikon, Samsung and all the others and their possible capabilities.
    What really counts in the market not being a full-time pro is portability and high-quality lenses from the best lens-makers in the world at a fraction of the price of another highly portable – the Leica M9-system.

    Finally, consider the size and quality of the prints possible. Which is best – the mega-file or the print you get from your printer? If professionally made – how much are you willing to pay to match the quality from the m4/3 – and what size do you prefer?

  • Thomas A. Fog

    To digital Nomad II.
    Every digital camera-owner not being a pro but being in the possession of a 12Mp-sensor or higher + a decent jpeg engine and all the other stuff offered – he has the standard-quality system camera he needs for now, as far as travels, family, friends, portraits, streets, macro and landscape goes. The rest is down to preference. Personally I prefer the m4/3 MOUNT the most and for the same reasons just mentioned.
    More. I can mount a first-class pancake f. 1.7, slide the camera into my pocket or shoot safely in the streets or in low-light without reaching 6400 in sensitivity. Or I can mount my 50 mm. Leica Summicron f.2.0 lens and use it as a (100mm) prime portrait lens. Or I can choose my 90 mm (180mm) prime Elmar f. 4.0 as a first class tele. I want an EPL 2 for this + the new Voigtländer micro Nokton f. 0.95 for night-shooting and Bokeh. Note my writing ‘or’ – it means not all projects all the time but one project at a time.

  • Thomas A. Fog

    To digital Nomad. III.
    Besides: the m4:3 system has a crop factor of 2.0 in relation to full frame sensors. – So, the crop factor relates to sensor-size only and not neccesarily to quality! Sensor-quality is simply a matter of the quality as far as manufacturing goes. Image Quality or the lack of it surrounds the sensor (surroundings including you and me).
    Again, My full frame 50mm. Summicron from Leitz is a normal 35mm rangefinder M-lens. But attached to the EPL 2 it turns into a small tele – the perfect portrait lens. Used strictly as such EPL 2 should produce excellent to outstanding full frame Leitz quality all other factors equal! If I am shooting like full frame all the time though – while the sensor is simply cropping my shots by its factor of two I’m missing the whole point and not respecting the limits of print-size, pixel-size and full frame.
    - If the case is simply point-and-shoot, why bother?
    With kind regards

  • http://www.fotoedge.com FoToEdge

    I will buy the EPL2 so I can use the accessory viewfinder. I like looking down like a microscope. Also the new EPL2 14-42mm lens will accept front add on lenses which include a very wide and a macro for a low cost. As a Realtor the Wide View will be perfect for my houses. I like the multi aspect and the Art Filters to spice a dreary day. I may never take the original lens off the camera, but B&H is selling the complete camera/lens for $550, so I feel this is reasonable for a modern system camera. I will keep my Canon 7D for portraits and art photos, but I really don’t care if companies go out of business. If I get to use them for 3 to 5 years, I feel I got my money’s worth and can quickly sell them on eBay. I also always keep my little Canon S95 in my pocket for quick notes and sometimes portraits. All of these cameras are magical and a lot better than the cell phone cameras so many people are buying into. But Software can enlarge all of these small files into masterpieces. The whole thing is to just shoot every day and see what happens. After all this is your memory of your short life on earth.

  • fred schumacher

    Back in 1976 I was one of seven photographers documenting the state of North Dakota. While the other guys shot Nikons and carried big camera bags, I could travel light with my OM-1, keeping my lenses in my coat pockets. It made me less obtrusive and allowed me to approach shy farmers and get the natural photo I was looking for.

    Olympus has continued that tradition of small lenses, and that’s why my next camera will most likely be an EPL2. My favorite lens of all time is the Zuiko 24 mm. f2.8, which when placed next to a Nikon looks like a midget. Now if Olympus would make a 12 mm. version of that, I would be happy.

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  • SteveD

    I didn’t quite share your hatred of the E-PL1, but I use it with the VF-2 and never make vids. I also have an E-P1, so i understand how the screen is disappointing. The XZ-1 does look fun.

    • Anonymous

      Hey Steve,

      The XZ-1 is super fun! But in truth, if you use the EPL-1 and then use the EPL-2 that we reviewed, it will be night and day.

      I’m looking to purchase an EP-1 actually, I loved that camera so much and it will force me to shoot differently as well.

  • Yogee_rajnish

    Hi,i want to sale my EPL2 Camera with 14-42mm lens. i just buy 15 days b4 only used one time at home only now, i wnat to buy more professional one like, nikon D7000, if anybody interstead can mail me yogee_rajnish@yahoo.co.in. thanks

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  • suoko

    I have and EPL-1 and agree with you that AVI movie format is not that great: I keep hoping (in vain) in a firmware upgrade to have avhcd encoding with its truepic. Overall it’s a great micro 4/3 entry level camera

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