Why Everyone Needs an 85mm Lens

by Chris Gampat on 06/15/2010

During the course of time that I’ve been a photographer, I’ve blogged about the 50mm lens and just how incredibly useful it is. Overtime though, the 85mm F1.8 for Canon has steadily become my go to lens for many situations. Not only is it sharp, delivers wonderful color and very useful, but it gives a different perspective on the things you photograph.

The Ideal Portrait Length

85mm is the ideal portrait length because it maintains closeness to your subject without showing any distortion. Distortion, or lack thereof,  is what is important to all photographers to ensure that things like noses don’t seem too big. Additionally, 85mm lenses tend to be very sharp and render the background out of focus in a way that is pleasing to the eyes. This is very useful when shooting headshots in the studio with subjects.

If you’d like more, check out my resources on studio headshots and social networking photos.

Street Photography Is Simpler

Red Riding Hood as Marilyn Monroe
If you like to shoot street photography, try slapping on an 85mm lens to your camera (if it’s full frame that is.) When doing this, you’ll be far enough from most subjects that you won’t really disturb them or they won’t notice you. Additionally, 85mm lenses are fairly compact, so the look won’t be terribly intimidating either. This is very useful when photographing in harsh environments and delicate subjects like how the recession is affecting people living on the Lower East Side in NYC. If you’re used to shooting wider and getting up in people’s faces then this will take some getting used to. Shooting wider allows photographers to capture environmental portraits very easily. Shooting more telephoto with an 85mm allows us to capture the details—such as sorrow and pain in one’s face.

For Concerts

Portrait taking at concerts is very important. Equally as important is a fast and sharp lens. Musicians tend to move around quite a bit and express their music not only through playing, but their body language and facial expressions. Capturing that is part of the essence of a concert. Standing back at times and also capturing how this energy flows out to the crowd through interaction is also important.

As a rule of thumb, go for different perspectives. Hold your camera in a way that isn’t straight vertically or horizontally. Also move around a lot granted that the venue permits it. Asking nicely usually works wonders on top of casual conversation.

For Weddings

Perhaps one of the most important lenses than any wedding photographer can have is an 85mm lens. The reason for this is not only the combination of light weight, fast aperture, sharpness and discreteness, but also the fact that the lens is so versatile in this situation. Move near the stage in a church and you’ll be able to capture loads of facial expressions of the bride and groom during the readings. Move further away and you’ll be able to get the entire stage with the attendees.

Keep it on during the reception and you’ll be able to capture the guests casually going about their business without disturbing them too much. When they usually see the photographer, they try to pose. This is fine if the subjects are kids as they tend to make silly faces which make for fun photos.

If you’re a Nikon user you essentially will almost never need a zoom lens as the higher end cameras allow photographers to selectively choose the sensor area.

More on your equipment can be seen here.

For Events

Events involve lots of different people, characters and subjects. 50mm lenses usually do great, but an 85mm can also work wonders. Put it on your camera and use the street photography skills and the art of being the fly on the wall at a wedding. You’ll be far enough away from your subjects to capture them without disturbing them which will translate into wonderful photos. Further you’ll also be able to get in close enough in tight venues.

For more on this, check out my tips for shooting events.

The One For You

We all shoot with different systems, but most readers here use Canon, Nikon and Panasonic. Either way, I’ve got a full posting here on the right lens for you as well as tips for portrait taking.

Tell us your story of using an 85mm in the comments below.

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  • Matt

    Thanks for the article! Clarified some things for me.
    Would a 50mm lens be the best alternative for a crop sensor camera?

    • http://thephoblographer.wordpress.com Chris Gampat

      Yes

  • http://Www.Gservo.com Gservo

    Well I’ve been thinking about an 85mm, I adore my 35mm but do have to be up close for some things to fill the sensor. I have to start saving for one

    • http://thephoblographer.wordpress.com Chris Gampat

      85mm lenses are wonderful.

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  • http://flickr.com/tricky83 tricky01

    As you’ve mentinoed in a rpely above, the equivilent lens for crop frame users is the 50mm. Does this therefore make the 85mm a lens that crop sensor users shouldn’t hanker for?

    As a sony user I’ve heard great things of the minolta 85 f1.4, but having a 50mm f1.4 and 135 f2.8, do I need this in the middle? I know it dpeends on what I shoot, but if you moved to crop frame would you ditch the 85mm?

    • http://thephoblographer.wordpress.com Chris Gampat

      No way, my 7d is great with the 85mm

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  • Naji

    85 mm lenses are the bestttttt!!!! My canon 85 f/1.8 stays attached to my 5d mkii although i have a 24-70 f/2.8 anf a 70-200 f/2.8 but they cant beat its quality. And it is a steal for 400$ only!!!

  • Pradeep

    which one you would recommend between canon 85mm f/1.8 and 50mm f/1.4? i was leaning towards 50mm for wider view and narrower dof than 85mm.. but your post got me thinking again..

    • http://thephoblographer.wordpress.com Chris Gampat

      On your 60D or T2i, right? Go for the 50mm. It’s more versatile, but it also depends on what you’re shooting. The 85mm is one of Canon’s sharpest lenses.

      • Pradeep

        i got 60D..:) i have 50mm 1.8 but i am not totally thrilled with the result since i saw some results of 50mm f/1.4..
        i was debating between 85mm f/1.8 and 50mm f/1.4.. i am traveling to india next month and wanted a lens which can get me good portraits, street photography, sunrise, and night. i also have tamron 17-50 f/2.8 and canon 70-300mm IS 3.6-5.6

        • http://thephoblographer.wordpress.com Chris Gampat

          Now this is a tough one. EVERYONE says that the Sigma 50mm F/1.4 is better than the Canon version in terms of build quality, design, feel, durability, and image quality. I rarely recommend 3rd party lenses but I’d have to go with the Sigma on that one.

          Those two lenses will only be good during the day with lots of light. During the night you need a prime, I don’t care what others will tell you or may try to rip apart this comment (and be a troll in the process). India is rural and there isn’t much light, you need a prime. Since you need all the light you can get, go for the Sigma 50mm F/1.4.

          The only exception is if you’ve bought a flash and know how to bounce light.

      • Pradeep

        i do have a flash: Canon Speedlite 430EX II… i know how to bounce in interiors but havent quite figured out how to do it outdoors or in high ceiling..

        • http://thephoblographer.wordpress.com Chris Gampat

          Okay, well either way the Sigma may be the best bet. As for bouncing, let’s take a hypothetical situation and please tell me if I completely confuse you:

          Let’s say that you’re outside someone’s house, what can you possibly bounce the light off of? Well there are no ceilings, right? So what you could do it face the camera towards your subject, have a wall of a house behind you, and rotate the head of your 430 EX II so that the light hits that wall and turns the entire wall into a giant softbox and therefore illuminates the subject in front of you.

          Now, let’s say your subject is in between two trees: what you could do is raise the exposure compensation of the flash up, aim the light so that it hits one of the trees and spills onto your subject in a way that your satisfied with the look. It will take experimentation, but it will work.

          The other alternative: Rogue Flashbenders. We’re working on reviewing them right now. Also: the Gary Fong Lightsphere Collapsible can be very good. We’ve got a full review on that finished: http://thephoblographer.com/2010/11/07/review-gary-fong-collapsible/

      • Pradeep

        thanks.. i will practice that..

        i have another question.. does the filter size really matter.. canon f1/4 has 58mm filter size and sigma has 77mm filter.. does it reduces barrel distortion? or anything else..sigma lens has really good reviews.. so i might go for it..

        also.. i bought the 70-300mm lens as part of the package deal with 60d.. as it was $150 cheaper than market price.. but i am not sure how much i would really use it… because i never rarely used my 55-250mm lens. any comment about this?

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  • http://twitter.com/lionel10 Lord Peckham

    1st picture I a muzzy and the wedding couple is as well, I’d concentrate on taking good meaningful pictures rather than the quality of the lens…

    • QA

      well duh…. A Canon 85 L lens is certainly not lightweight either. So what? His discourse is about employing the use of a specific single focal length lens.

  • smee.bruce

    Its a great lens to play with too . . . try the brenizer method (search on flickr) a great example is: http://www.flickr.com/photos/timkphotography/4033637811/

  • Night

    “If you’re a Nikon user you essentially will almost never need a zoom
    lens as the higher end cameras allow photographers to selectively choose
    the sensor area.” Yes and no.
    Yes because you can do it but if you are shooting with a 50mm and only cropping (in post production or selecting the smaller part of the sensor on nikon camera software) you are still shooting with a 50mm and it will be different from a real 85mm because you retain the perspective of the 50mm for noses and such.

  • Spodeworld

    I’m assuming you are talking about an 85mm on a FX (full size) sensor. If we’re talking about a DX, I suppose this would be probably a 55mm lens or so. Do you agree?

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  • warren sebastian

    I first used a 85mm lens on my D90 – loved it ! Brilliant for doing some night shooting and get those real candid moments. I spent a whole winter in my city shooting with it & now use it on a FF. I also love the compression compared to my 50

  • http://twitter.com/GokhanCukurova Gokhan Cukurova

    Poorly written

    • QA

      ditto

  • http://twitter.com/TheViewfinderNL The Viewfinder

    I do and don’t agree …

    Yes, 85mm is perfect for portraits, no distortion and really isolating your subject.

    No, 85mm isn’t a street photography lens. Street photography, to me, is capturing the moment as you see it on the streets…the reality, in which the context is very important/big part of the photograph. Getting the shot with the total scene/context and really getting that street feeling with the proper perspective/ depth isn’t possible with a 85mm. The best is the 35mm. Street photography is shooting from within the scene ..just getting in. Not shooting from distance like a pervert.

    But hey, that’s just my point of view …
    (that concert shot in this post looks like it’s shot with a wider lens)

    Feel free to share your thought or check out my work: http://theviewfinder.nl

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